Wednesday 17 June 2020

Cheap lives, Black and White, and the Americanization of the World in 2020 "THE YEAR OF TRUTH"?

Q. How many lives would have been saved if lockdown in the UK had been implemented on 16th March 2020
This question was asked as part of the Re:LODE Radio post for:
Wednesday 3 June 2020 . . .

. . . and the answer is;
enforcing UK lockdown one week earlier 'could have saved 20,000 lives!  
Heather Stewart and Ian Sample report for the Guardian (The 11 Jun 2020) under the subheading: 
Former scientific adviser to No 10 says earlier restrictions could have halved death toll 
Heather Stewart and Ian Sample report:  
The number of coronavirus deaths in the UK could have been halved if the government had introduced the lockdown a week earlier, according to damning testimony from one of the scientists who was advising the government at the time.

The stark claim by Prof Neil Ferguson that thousands of lives could have been saved intensified the pressure on the government over its handling of the outbreak, leaving Boris Johnson facing repeated questions at the daily Downing Street press conference.

The prime minister insisted it was “premature” to make judgments about the government’s approach, and said he had taken the steps “that we thought were right for this country”, on the basis of scientific advice.

But this position came under further scrutiny when the chief medical officer for England, Prof Chris Whitty, was asked about his regrets about the handling of the crisis so far.

“I think there’s a long list of things that we need to look at very seriously,” he said.

Both he and the prime minister were put under intense pressure after the intervention of Ferguson, who leads the influential outbreak modelling group at Imperial College, London. He sat on the Scientific Advisory Group for Emergencies (Sage) during the early stages of the outbreak.

“Had we introduced lockdown a week earlier we’d have reduced the final death toll by at least half,” he told MPs on the House of Commons science committee. “The measures, given what we knew about the virus then, were warranted. Certainly had we introduced them earlier we’d have seen many fewer deaths.”

Official figures on Wednesday show the death toll from the virus already stands at 41,128, suggesting that if Ferguson is right, more than 20,000 lives could have been saved by taking more draconian action earlier.

His comments echoed those made by fellow Sage member John Edmunds, who said at the weekend, of the government’s actions in mid-March: “I think it would have been very hard to pull the trigger at that point but I wish we had. I wish we had gone into lockdown earlier. I think that has cost a lot of lives unfortunately.” 

Johnson declined to express regret that the government did not act sooner, saying the data is not yet available to make a full assessment.

“Frankly, I think a lot of these questions are premature,” he insisted. “There are lots of things that we still don’t know, and this epidemic has a long way to go.”

And he pointed out that Ferguson was a Sage member at the time decisions on lockdown were made. Ferguson subsequently resigned, after breaking lockdown rules to meet with a lover.

Earlier, during tense exchanges in the Commons, Keir Starmer, the Labour leader, confronted the prime minister over his claim that he was “proud” of the government’s response.

Citing the official death toll, as well as the Office for National Statistics estimate of 63,000 excess deaths during the pandemic, Starmer said: “Those are among the highest numbers anywhere in the world. Last week the prime minister said he was proud of the government’s record, but there is no pride in those figures, is there?”

Johnson said international comparisons should wait until the outbreak is over: though he later favourably compared the UK’s approach to returning children to school, to that taken in other countries.

Taking responsibility 
The row came on the eve of Johnson’s self-imposed deadline for getting on top of the pandemic. On 19 March he said that it would take 12 weeks to “turn the tide”. But he is now facing mounting disquiet over his handling of the crisis, with backbench MPs increasingly vocal, including over the government’s quarantine plans, and its failure to open schools to more pupils.

The prime minister promised a “catch-up” programme for pupils over the summer: and conceded that he had not been able to open schools more rapidly because the infection is not yet sufficiently under control.

While Johnson nevertheless highlighted the opening of zoos, and the creation of “support bubbles” to tackle loneliness, Sir Patrick Vallance, the chief scientific adviser, struck a sombre tone at the press conference.

“The epidemic is shrinking, but not fast,” he said. “The numbers are coming down, but they’re not yet very low. And the vast majority of the population remains susceptible to that infection.”

He said that meant changes must take place slowly and might need to be reversed. However, he did offer a hint that the government’s 2-metre advice for social distancing could be relaxed. 

Vallance told the briefing: “It is not a scientific rule – it is a risk-based assessment on when risk reduces … It is wrong to portray this as a scientific rule that says it is two metres or nothing.”

Whitty also warned that some restrictions may need to be reimposed if there is a resurgence in cases later in the year, for example.

“There is a reasonable chance that in the winter, this virus will have some advantages it doesn’t have in the rest of the year,” he said. “It’s something which transmits more easily indoors, for example. We are not at the end of this epidemic, not by a long shot. We’re in the middle of it.”

Asked about his greatest regret in the management of the outbreak, Whitty highlighted the failure to increase testing capacity more rapidly.

“If I had to choose one, it would be probably be looking at how we could speed up testing, very early on in the epidemic,” he said. “Many of the problems we had came because we were unable to work out exactly where we were, and we were trying to see our way through the fog.”

Scientists at Imperial College and a second team at the London School of Hygiene and Tropical Medicine modelled the impact of lockdown in February. But it was the realisation that the size of the epidemic was doubling every four days and greater clarity over the severity of the illness that prompted Sage to recommend lockdown.

According to Ferguson, it was around nine days after that modelling, which was only one stream of information ministers were reviewing, that lockdown was announced.

Before March, scientists believed the UK had far fewer infections than it actually had. But it later became clear that between 1,500 and 2,000 cases arrived from Italy and Spain in the first two weeks of that month. At the time, the modellers assumed about two-thirds of infected people coming into the UK were not being identified, but Ferguson said a more accurate figure was about 90%. 

The Sage committee recommended that travellers should be tested when arriving from countries that had been identified as having active transmission, but the scale of the risks from Italy and Spain were not appreciated at the time. “We frankly underestimated how far into the epidemic the country was,” Ferguson said.
The disproportionate impact of Covid-19 on the elderly in Care Homes or Care oriented settings! 

Cheap Lives? 
More Cheap Lives? 
The conclusion contained in a section of a report, that the UK government refuses to publish, finds that racism has contributed to a disproportionate number of UK BAME coronavirus deaths!
Dennis Campbell, Health policy editor for the Guardian, reports (Sun 14 Jun 2020): 
Racism and discrimination suffered by Britain’s black, Asian and minority ethnic people has contributed to the high death rates from Covid-19 in those communities, an official inquiry has found.
The conclusion is contained in a section of a government-commissioned report that ministers have refused to publish, apparently for fear of stoking tensions around race and racism after protests in response to George Floyd’s killing by a white police officer in Minneapolis.
Sky News has obtained a previously unpublished section of the review of the disease’s disproportionate impact on BAME people, which was undertaken by Public Health England (PHE).
It said: “Stakeholders pointed to racism and discrimination experienced by communities and more specifically BAME key workers as a root cause to exposure risk and disease progression.
“Racism and discrimination experienced by BAME key workers [is] a root cause affecting health and exposure risk. For BAME communities, lack of trust of NHS services resulted in reluctance to seek care.”
The document helped to inform the main report, which PHE published on 2 June. The emergence of the new document comes after the Department of Health and Social Care and PHE both responded to claims of censorship by insisting that the report had been published in full.
The extra part of the evidence review summarises testimony received by PHE’s Prof Kevin Fenton, the report’s author, from about 4,000 stakeholders, including BAME groups and academics.
“It is clear from discussions with stakeholders the pandemic exposed and exacerbated longstanding inequalities affecting BAME communities in the UK,” it said.
The fact that many BAME people occupy key worker roles, for example in the NHS and social care, means that they “may be more exposed to Covid-19 and therefore are more likely to be diagnosed,” it added.
The newly uncovered section of the report highlights fears in BAME communities that people from those backgrounds could be badly affected again if there is a second wave of coronavirus and lessons from the initial wave have not been learned and acted upon.
Labour criticised the government’s lack of openness over the report, which had been eagerly awaited at a time of huge concern over the disproportionate number of deaths among BAME people.
Jonathan Ashworth, the shadow health secretary, said: “The impact of Covid-19 on people from BAME communities is serious, and as the data shows for many it can be fatal. This should demand urgent action from ministers. Instead we have had misleading statements and a lack of transparency.
“We shouldn’t have to reply on leaks. The report should be published in full as soon as possible and action taken.
“Labour have been raising concerns for weeks and calling for greater use of targeted testing and protection for staff on the frontline, for example.”
The main report found that people from black ethnic groups were most likely to be diagnosed with Covid-19 and those from BAME groups overall had the highest death rates. Those of Bangladeshi origin faced the highest risk of dying – twice that of white Britons – while people of Chinese, Indian, Pakistani, other Asian, Caribbean and other black backgrounds faced an extra risk ranging between 10% and 50%
Q. How many lives will be saved if the objectives of the Paris agreement are fulfilled? 
A. Even if the Paris agreement objectives are achieved, maintaining the habitability of the planet for human beings remains an immense challenge.
In his book The Uninhabitable Earth (2019), David Wallace-Wells reflects on our "situation" NOW in his first chapter titled "Cascades": 
As recently as the 1997 signing of the landmark Kyoto protocol, two degrees Celsius of global warming was considered the threshold of catastrophe: flooded cities, crippling droughts and heat waves, a planet battered daily by hurricanes and monsoons we used to call "natural disasters" but will soon normalise as simply "bad weather". More recently, the foreign minister of the Marshall Islands offered another name for that level of warning: "genocide" 
There is almost no chance we will avoid that scenario. The Kyoto protocol achieved, practically, nothing; in the twenty years since, despite all of our climate advocacy and legislation and progress on green energy, we have produced more emissions than the twenty years before. In 2016, the Paris accords established two degrees as a global goal, and, to read our newspapers, that level of warming remains something like the scariest scenario it is responsible to consider; just a few years later, with no single industrial nation on track to meet its Paris commitments, two degrees looks like a best case outcome, at present hard to credit, with an entire bell curve of more horrific possibilities extending beyond it and yet shrouded, delicately, from public view. 
For those telling stories about climate, such horrific possibilities - and the fact that we had squandered our chance of landing anywhere on the better half of that curve - had become somehow unseemly to consider. The reasons are almost too many to count, and so half-formed they might be better called impulses. 
We chose not to discuss a world warmed beyond two degrees out of decency, perhaps; 
. . . or simple fear; 
. . . or fear of fear mongering; 
. . . or technocratic faith; 
. . . or deference to partisan debates or even partisan priorities; 
. . . or skepticism about the environmental Left of the kind I had always had; 
. . . or disinterest in the fates of distant ecosystems like I'd always had. 
We felt confusion about the science and its many technical terms and hard-to-parse numbers, or at least an intuition that others would be easily confused about the science and its many technical terms and hard-to-parse numbers. 
We suffered from slowness of apprehending the speed of change, or set-conspiratorial confidence in the responsibility of global elites and their institutions, or obeisance toward those elites and their institutions, whatever we thought of them. 
Perhaps we felt unable to really trust scarier projections because we'd only just heard about warming, we thought, and things couldn't possibly have gotten that much worse just since the first Inconvenient Truth; 
. . . or because we liked driving our cars and eating our beef and living as we did in every other way and didn't want to think too hard about that; 
. . . or because we felt so "postindustrial" we couldn't believe we were still drawing material breaths from fossil fuel furnaces. 
Perhaps it was because we were so sociopathically good at collating bad news into a sickening evolving sense of what constituted "normal", or because we looked outside and things seemed still okay. 
Because we were bored with writing, or reading, the same story again and again, because climate was so global and therefore nontrivial it suggested only the corniest politics; 
. . . because we didn't yet appreciate how fully it would ravage our lives, and because, selfishly, we didn't mind destroying the planet for others living elsewhere on it or those not yet born who would inherit it from us, outraged. 
Because we had too much faith in the teleological shape of history and the arrow of human progress to countenance the idea that the arc of history would bend toward anything but environmental justice, too. 
Because when we were being really honest with ourselves we already thought of the world as a zero-sum resource competition and believed that whatever happened we were probably going to continue to be the victors, relatively speaking anyway, advantages of class being what they are and our own luck in the natalist lottery being what it was.
Perhaps we were too panicked about our own jobs and industries to fret about the future of jobs and industry; 
. . . or perhaps we were also really afraid of robots or were too busy looking at our new phones; 
. . . or perhaps, however easy we found the apocalypse reflex in our culture and the path of panic in our politics, we truly had good-news bias when it comes to the big picture; 
. . . or, really, who knows why - there are so many aspects to the climate kaleidoscope that transforms our intuitions about environmental devastation into an uncanny complacency that it can be hard to pull the whole picture of climate distortion into focus. 
But we simply wouldn't, or couldn't, or anyway didn't look squarely in the face of the science.
Q. So, how did we get to where we are NOW? 
A. Listen to Randy Newman! He knows! 


'Scuse me! The Great Nations of Europe are Coming Through! 
This song was originally released on Randy Newman's 1999 album "Bad Love", a song written with some consciousness of the fact that the twentieth century was about to close. Randy Newman, using some particular chosen historical events, encapsulates four centuries of European civilisation in less than four minutes. Randy Newman begins his song The Great Nations of Europe with the arrival of the Portuguese on the shores of the Canary Islands. The song ends, amazingly, with a prescient warning of a catastrophic global pandemic. The concision of Newman's lyric is  astonishing, and Re:LODE Radio chooses to use this concise encapsulation of European civilisation as a conceptual armature in an attempt to answer the question above: Q. So, how did we get to where we are NOW? The Indigenous People of the Canary Islands are part of the story of capitalism's role in the cheapening of nature and the cheapening of lives. In the their book A History of the World in Seven Cheap Things - A Guide to Capitalism, Nature, and the Future of the Planet, by Jason W. Moore and Raj Patel begin their history with a number of startling examples, one of which involved the forced migration of the Indigenous People of the Canary Islands to work, more or less as slaves, on a new kind of capitalist venture, the production of sugar from sugar cane. One of these examples was referenced in an article for the Re:LODE Information Wrap for Pangandaran in Java, Indonesia, with the caption: Profits come before carbon capture, the prevention of tree cover loss of primary forests and the future of the planet? 
Indonesia has seen industries, including sugar production and palm oil production, in the past and continuing in the present, result in catastrophic environmental impact upon the natural environment, and exploitation of a colonised and oppressed people providing the labour for these industries. 
"Nature" and "Society" began to take shape in the throes of feudal crisis and the birth of early capitalism . . .
. . . but feudalism's systemic weakness wasn't something as simple as soil exhaustion. Feudalism crumbled because of peasants' inability to produce a bigger economic surplus for their seigneurs. Left to their own devices, peasants could have shifted from rye and wheat mono-cultures to a diversified crop mix that included garden produce. In western Europe that could have doubled or tripled food production. But this shift was impossible, given the seigneurs' demand for marketable produce that could readily be turned into cash. In an unsettling parallel with the present day, feudal lords reproduced an agricultural system that privileged short-run gains over meaningful adjustments that would have dented their income but sustained life. It is in this context that cheap nature becomes strategic. 
It was the feudal lords' refusal to adjust to new "natural" conditions that precipitated an epochal crisis in the late middle ages. On top of famine and longer winters, the wiping out of between one-third and one-half of Europe's population as a result of the Black Death
Feudalism depended on a growing population, not only to produce food but also to reproduce lordly power.

But with the onset of the Black Death, webs of commerce and exchange didn't just transmit disease - they became vectors of mass insurrection. Almost overnight, peasants revolts ceased being local affairs and became large-scale threats to the feudal order. After 1347 these uprisings were synchronized - they were system-wide responses to an epochal crisis, a fundamental breakdown in feudalism's logic of power, production and nature.

Peasant demands for tax relief and the restoration of customary rights were calls that feudalism's rulers could not tolerate.

Repressive legislation to keep labour cheap, through wage controls or outright reenserfment, came in reaction to the Black Death. Among the earliest was England's Ordinance and Statute of Labourers, enacted in the teeth of the plague's first onslaught (1349-51). The equivalent today would be to respond to an Ebola epidemic by making unionization harder.

The ruling classes tried - and failed - to reenserf peasants in western Europe. But the crisis was about more than class; it was the moment when feudalism's ecology of power, wealth, and nature stopped working. That meant something genuinely epoch making; states, lords, and merchants all had to scramble for novel solutions to restore their wealth.
Capitalism emerged from this broken state of affairs! 
 One solution that reinvented human's relation to the web of life was stumbled upon by the Iberian aristocracy - in Portugal and Castile above all. By the end of the fifteenth century these kingdoms and their societies had made war through the Reconquista, the centuries-long conflict with Muslim power on the the peninsula, and were so deeply dependent on Italian financiers to fund their military campaigns that Portugal and Castile had in turn been remade by war and debt. The mix of war debt and the promise of wealth through conquest spurred the earliest invasions of the Atlantic - in the Canary Islands and Madeira. the solution to war debt was more war, with the payoff being colonial profit on new, green frontiers. 
The Earliest Frontiers 
Early modern colonialism used frontiers in an entirely new way. Always before, rising population density in the heartlands had led to the expansion of settlement, followed by commerce. This pattern turned inside out in the two centuries after 1992. frontiers were to become an organising principle of metropolitan wealth. 
An experiment
And it was in an experiment on an early Portuguese colonial outpost that many of the features of the modern world were first convened in the manufacture of one of the first capitalist products. 
The story of sugar 
Jason W. Moore and Raj Patel explain how the impact of the use of wood as fuel in sugar production upon the great forest of trees covering the island of Madeira is the precursor to the ongoing capitalist degradation of nature. They write: 
In 1419, Portuguese sailors first sighted an island just over 600 kilometres west of the African coast of Morocco. They called the island Ilha da Madeira, "island of wood." The Venetian traveler and slaver Alvise da Ca' de Mosto (Cadamosto) reported in 1455 that "there was not a foot of ground that was not entirely covered with great trees." By the 1530's it was hard to find any wood on the island at all. There were two phases in the clear-cutting of Madeira. Initially, the trees had been profitable as lumber for shipbuilding and construction. The denuded forest became acreage for wheat to be sent to Portugal starting in the 1430s. The second, more dramatic deforestation was driven by the use of wood as fuel in sugar production. 
India, where the process of refining cane juice into granulated crystals was developed, was often visited by imperial convoys (such as those from China) to learn about cultivation and sugar refining. By the sixth century AD, sugar cultivation and processing had reached Persia, and from there that knowledge was brought into the Mediterranean by the Arab expansion. 
"Wherever they went, the medieval Arabs brought with them sugar, the product and the technology of its production."
Spanish and Portuguese exploration and conquest in the fifteenth century carried sugar south-west of Iberia. Henry the Navigator introduced cane to Madeira in 1425
Moore and Patel then examine how the biological necessities in the treatment of the sugarcane impose particular organisational factors. They write:
Humans, primates, and most mammals love the taste of sugar. Since the discovery of sugarcane in New Guinea in 6000 BCE, humans have understood the biological necessities of its treatment. There is a peak time to harvest the cane, when it is turgid with sweet juice - but then the grass is thick and difficult to cut. Once chopped, the can can be coaxed to yield its greatest quantity of sugar for only forty-eight hours. After that the plant starts to rot.
Moore and Patel then foreground how the methods employed in the sugar plantations on Madeira generated the core organizing ideas of modern manufacturing:
In the 1460s and 1470s, farmers on Madeira stopped growing wheat and stated growing sugar exclusively. A lot more sugar. The sugar frontier quickly spread, at first to other islands in the Atlantic, then on a massive scale to the New World. Like palm and soy monocultures today, it cleared forests, exhausted soils, and encouraged pests at breakneck speed.
To reach such speeds, production had to be reorganized, broken into smaller, component activities performed by different workers. It simply isn't possible to get good returns from workers who are exhausted from cutting cane and then spend the night refining it. New management and technologies helped move sugar manufacture from edge runner mills (big pestle and mortar machines) and small holdings to two roller mills and large-scale slave production in São Tomé. Centuries before Adam Smith could marvel at the division of labour across a supply chain that made a pin, the relationship between humans, plants, and capital had forged the core ideas of modern manufacturing - in cane fields. The plantation was the original factory.
And every time the sugar plantation found a new frontier, as in Brazil after São Tomé and the Caribbean after that, the factory was reinvented - with new machines and new combinations of plantation and sugar mill.
The only thing missing from this story, of course, is the humans who did the work. In Madeira, they were Indigenous People from the Canary Islands, North African slaves, and - in some cases - paid plantation labourers from mainland Europe. These Indigenous People were the Guanches, as identified in Randy Newman's song The Great Nations of Europe:

The Great Nations of Europe - the Guanches 
The Grand Canary Islands, first land to which they came. They slaughtered all the canaries, which gave the land its name.  
There were natives there called Guanches, Guanches by the score.  
Bullets, disease, the Portuguese, and they weren't there anymore.
Work 
Initially the Portuguese, Genoese, and Flemish sugar plantation owners on Madeira brought Guanches, people indigenous to the Canary Islands, to work on their land. A few fifteenth-century wills show that owners bequeathed Guanches to their heirs. Indigenous workers succumbed to European disease and brutality. 
They were supplemented and replaced with a mix of wage-workers and North African slaves, humans whose recent ancestors had made a living in subsistence agriculture but who themselves arrived in Madeira as a consequence of either enslavement or exclusion from the land they once worked. Madeira was a field site for experiments in the limits of human endurance and strength but also for the trial of new technologies of order, process, and specialisation that - centuries later - would be used in the England's industrial factories. We don't know nearly enough about the ways that workers on Madeira  - slaves and freedmen alike - resisted their masters and employers. There's little recorded about how they fought the regime that both worked them to death and exhausted the soil on which they laboured. but we do know that they resisted and that their attempts to combat the conditions of their exploitation generated crises sufficient for authorities to forbid slaves from living alone or with freedmen in 1473. 
As for the Guanches, according to Randy Newman:
Now they're gone, they're gone, they're really gone. 
You've never seen anyone so gone. 
They're a picture in a museum, some lines in a book, but you won't find a live one no matter where you look . . . 
. . . except in mitochondrial DNA . . .
. . . and found in the population of the world's oldest colony! Puerto Rico! Originally populated by the indigenous Taíno people, Puerto Rico was colonized by Spain following the arrival of Christopher Columbus in 1493. It was contested by various other European powers, but remained a Spanish possession for the next four centuries. The island's cultural and demographic landscapes were shaped by the displacement and assimilation of the native population, the forced migration of African slaves, and settlement primarily from the Canary Islands and Andalusia. In the Spanish Empire, Puerto Rico played a secondary but strategic role compared to wealthier colonies like Peru and New Spain. By the late 19th century, a distinct Puerto Rican identity began to emerge, based on a unique creole Hispanic culture and language that combined indigenous, African, and European elements. In 1898, following the Spanish–American War, the United States acquired Puerto Rico, which remains an unincorporated territorial possession, making it the world's oldest colony. 
Puerto Ricans have been citizens of the United States since 1917, and can move freely between the island and the mainland. But, as it is not a state, Puerto Rico does not have a vote in the U.S. Congress, which governs the territory with full jurisdiction under the Puerto Rico Federal Relations Act of 1950. As it stands today, Puerto Rico's sole political representation is through one non-voting member of the House called a Resident CommissionerConsequently, as residents of a U.S. territory, American citizens in Puerto Rico are, to all intents and purposes, disenfranchised at the national level, cannot vote for the president or vice president of the U.S., and in most cases do not pay federal income tax. The United States Congress approved a local constitution in 1952, allowing U.S. citizens of the territory to elect a governor, but that is all. Not surprisingly Puerto Rico's future political status has consistently been a matter of debate and concern.  
Since 1953, the UN has been considering the political status of Puerto Rico and how to assist it in achieving "independence" or "decolonization." In 1978, the Special Committee determined that a "colonial relationship" existed between the US and Puerto Rico.

The UN's Special Committee has referred often to Puerto Rico as a nation in its reports, because, internationally, the people of Puerto Rico are often considered to be a Caribbean nation with their own national identity. Most recently, in a June 2016 report, the Special Committee called for the United States to expedite the process to allow self-determination in Puerto Rico. More specifically, the group called on the United States to expedite a process that would allow the people of Puerto Rico to exercise fully their right to self-determination and independence;  
". . . allow the Puerto Rican people to take decisions in a sovereign manner, and to address their urgent economic and social needs, including unemployment, marginalization, insolvency and poverty".

Puerto Rico has held referenda to determine whether to retain its status as a territory or to switch to some other status such as statehood. The fourth such referendum, the Puerto Rican status referendum, 2012 occurred on November 6, 2012. The result a 54% majority of the ballots cast against the continuation of the island's territorial political status, and in favor of a new status. Of votes for new status, a 61.1% majority chose statehood. This was by far the most successful referendum for statehood advocates. In all earlier referenda, votes for statehood were matched almost equally by votes for remaining an American territory, with the remainder for independence. Support for U.S. statehood has risen in each successive popular referendum.

The fifth Puerto Rican status referendum of 2017, was held on June 11, 2017 and offered three options: "Statehood", "Independence/Free Association", and "Current Territorial Status." With 23% of registered voters casting ballots, 97% voted for statehood. Benefits of statehood would include an additional $10 billion per year in federal funds, the right to vote in presidential elections, higher Social Security and Medicare benefits, and a right for its government agencies and municipalities to file for bankruptcy. The latter is currently prohibited.

Even with the Puerto Ricans' vote for statehood, action by the United States Congress would be necessary to implement changes to the status of Puerto Rico under the Territorial Clause of the United States Constitution.

Las Vidas Negras Importan (Black Lives Matter)
So, one of the LODE Zone places, and another island, where demonstrations have taken place outside the United States in the aftermath of George Floyd's murder by a policeman in Minneapolis, is also a place where testing of the population's mitochondrial DNA reveals the modern population of Puerto Rico has a high genetic component of Taíno and Guanche (especially of the island of Tenerife). This type of Guanche genes have also been detected in the Dominican Republic.
The population of modern Puerto Rico reflects the impact of over 500 years of migrations within the so-called Americas (named by a Dutch map maker after an Italian navigator), and across the Atlantic from Europe and Africa. 
For Re:LODE this island, because of its position on the LODE Zone Line, has special resonances, not least reflected in the ancestry of Puerto Ricans. 
The arbitrary nature of the LODE Zone Line functions as a geographic "slice" through the unmanageable volume of relevant information connecting to the capitalism/globalization meme, and allowing a comprehensible matrix to emerge. Funding limitations in 1992 meant that Puerto Rico was not one of the places where LODE Cargo was created. However, Re:LODE research makes it clear how Puerto Rico provides a nexus for the links that the guiding LODE Zone Line keeps generating. Puerto Ricans are a population that carry the genetic codes of the human stories of, what Noam Chomsky describes in his Year 501: The Conquest Continues, as capitalism's continuing conquest of people and the planet.  
The original inhabitants of Puerto Rico are the Taíno, who called the island Borikén; however, as in other parts of the Americas, the native people soon diminished in number after the arrival of European settlers. Besides miscegenation, the negative impact on the numbers of Amerindian people, especially in Puerto Rico, was almost entirely the result of Old World diseases, against which the Amerindian Indigenous People had no natural immunity, so common European diseases, including measles, chicken pox, mumps, influenza, and even the common cold, often resulted in rates of high mortality. So, the majority of Indigenous People, the inhabitants of the so-called New World, died due to contact with those European diseases, and those that survived were further reduced through deaths by warfare with each other and with the European Conquistadors.  
In the 16th century, a significant depth of Puerto Rican culture began to develop with the import of African slaves by the Spanish, as well as by the French, the Portuguese, the British, and the Dutch. 
Thousands of Spanish settlers also immigrated to Puerto Rico from the Canary Islands during the 18th and 19th centuries, so many so that whole Puerto Rican villages and towns were founded by Canarian immigrants, and their descendants would later form a majority of the population on the island.

In 1791, the slaves in Saint-Domingue (Haiti), revolted against their French masters. Many of the French escaped to Puerto Rico via what is now the Dominican Republic and settled in the west coast of the island, especially in Mayagüez. 
Some Puerto Ricans are of British heritage, most notably Scottish people and English people who came to reside there in the 17th and 18th centuries.

When Spain revived the Royal Decree of Graces of 1815 with the intention of attracting non-Hispanics to settle in the island, thousands of Corsicans arrived 
during the 19th century (though the island was French since 1768 the population spoke an Italian dialect similar to Tuscan Italian), along with many German immigrants. Joining this migration from Germany along the LODE Zone Line were other migrants from the LODE Zone, including part of the Irish diaspora who had to leave Ireland in the wake of the Irish Potato Famine of the 1840s. They were followed by smaller waves from other European countries and also from far away China.
During the early 20th century many Jewish migrants began to settle in Puerto Rico. The first large group of Jews to settle in Puerto Rico were European refugees fleeing German–occupied Europe in the 1930s and 1940s. The second influx of Jews to the island came in the 1950s, when thousands of Cuban Jews fled Cuba after Fidel Castro came to power.
Nevertheless Puerto Ricans often proudly identify themselves as Boricua or Borinqueño, derived from the Taíno word Boriken, to illustrate their recognition of the island's Taíno heritage. The word Boriken translates to "land of brave lords(s)." Borikén was used by the original Taíno population to refer to the island of Puerto Rico before the arrival of the Spanish who gave the island their own name.The use of the word Boricua has been popularized in the island and abroad by descendants of Puerto Rico heritage, commonly using the phrase yo soy Boricua ('I am Boricua') to identify themselves as Puerto Ricans

The first recorded use of the word Boricua comes from Christopher Columbus in his Letter to the Sovereigns of March 4, 1493. So, picking up where we left off with Randy Newman's lyric :
Columbus sailed for India, found Salvador instead.  
He shook hands with some Indians and soon they all were dead. 
They got TB and typhoid and athlete's foot, diphtheria and the flu.  
Excuse me great nations coming through!

The Great Nations of Europe - the Tainos 

The Taíno Indigenous populations of the Caribbean

Columbus and the crew of his ship were the first Europeans to encounter the Taíno people, as they landed in The Bahamas on October 12, 1492. 
After their first interaction, Columbus described the Taínos as a physically tall, well-proportioned people, with a noble and kind personality.

In his diary, Columbus wrote:
They traded with us and gave us everything they had, with good will ... they took great delight in pleasing us ... They are very gentle and without knowledge of what is evil; nor do they murder or steal...Your highness may believe that in all the world there can be no better people ... They love their neighbours as themselves, and they have the sweetest talk in the world, and are gentle and always laughing.
At this time, the neighbors of the Taíno were the Guanahatabeys in the western tip of Cuba, the Island-Caribs in the Lesser Antilles from Guadeloupe to Grenada, and the Calusa and Ais nations of Florida. Guanahaní was the Taíno name for the island that Columbus renamed as San Salvador (Spanish for "Holy Saviour").
Was Columbus the first Conquistador? 
Columbus called the Taíno "Indians", a reference that has grown to encompass all the indigenous peoples of the Western Hemisphere. A group of Taíno people accompanied Columbus on his return voyage to Spain.

On Columbus' second voyage to their culture, he began to require tribute from the Taíno in Hispaniola. According to Kirkpatrick Sale, each adult over 14 years of age was expected to deliver a hawks bell full of gold every three months, or when this was lacking, twenty-five pounds of spun cotton. If this tribute was not brought, the Spanish cut off the hands of the Taíno and left them to bleed to death. These cruel practices inspired many revolts by the Taíno and campaigns against the Spanish — some successful, some not.

In 1511, several caciques in Puerto Rico, such as Agüeybaná II, Arasibo, Hayuya, Jumacao, Urayoán, Guarionex, and Orocobix, allied with the Carib and tried to oust the Spaniards. The revolt was suppressed by the Indio-Spanish forces of Governor Juan Ponce de León. Hatuey, a Taíno chieftain who had fled from Hispaniola to Cuba with 400 natives to unite the Cuban natives, was burned at the stake on February 2, 1512.

In Hispaniola, a Taíno chieftain named Enriquillo mobilized more than 3,000 Taíno in a successful rebellion in the 1520s. 
Despite the small Spanish military presence in the region, they often used diplomatic divisions and, with help from powerful native allies, controlled most of the region. In exchange for a seasonal salary, religious and language education, the Taíno were required to work for Spanish and Indian land owners. This system of labor was part of the encomienda 
Early population estimates of Hispaniola, probably the most populous island inhabited by Taínos, range from 100,000 to 1,000,000 people. 
The maximum estimates for Jamaica and Puerto Rico are 600,000 people. The Spanish priest and defender of the Taíno Bartolomé de las Casas (who had lived in Santo Domingo) wrote in his 1561 multi-volume History of the Indies:

There were 60,000 people living on this island [when I arrived in 1508], including the Indians; so that from 1494 to 1508, over three million people had perished from war, slavery and the mines. Who in future generations will believe this?

Researchers today doubt Las Casas' figures for the pre-contact levels of the Taíno population, considering them an exaggeration. 
For example, Anderson Córdova estimates that a maximum of around 500,000 people were inhabiting the island at this time. However, they had no resistance to Old World diseases, notably smallpox. The encomienda system brought many Taíno to work in the fields and mines in exchange for Spanish protection, education, and a seasonal salary. 
Under the pretence of searching for gold and other materials, many Spaniards took advantage of the regions now under control of the anaborios and Spanish encomenderos to exploit the native population by seizing their land and wealth. 
Historian David Stannard characterizes the encomienda as a genocidal system which "had driven many millions of native peoples in Central and South America to early and agonizing deaths."
It would take some time before the Taíno revolted against their oppressors — both Indian and Spanish alike — and many military campaigns were undertaken before Emperor Charles V finally eradicated the encomienda system as a form of slavery.

Disease obviously had a lot to do with the catastrophic death rate of the indigenous population, but forced labour was also one of the chief reasons as to why the population declined so dramatically. The first Spaniard to introduce this forced labour among the Taínos was leader of the European colonisation of Puerto Rico, Ponce de León. This forced labour eventually led to the Taíno rebellions, in which the Spaniards responded with violent military expeditions known as cabalgadas.

In thirty years, between 80% and 90% of the Taíno population died. Because of the increased number of people (Spanish) on the island, there was a higher demand for food. Taíno cultivation was converted to Spanish methods. In hopes of frustrating the Spanish, some Taínos refused to plant or harvest their crops. The supply of food became so low in 1495 and 1496 that some 50,000 died from famine. Historians have determined that the massive decline was due more to infectious disease outbreaks than any warfare or direct attacks. By 1507, their numbers had shrunk to 60,000. 
Scholars believe that epidemic disease (smallpox, influenza, measles, and typhus) was an overwhelming cause of the population decline of the indigenous people, and also attributed a "large number of Taíno deaths...to the continuing bondage systems" that existed. 
Academics, such as historian Andrés Reséndez of the University of California, Davis, assert that disease alone does not explain the total destruction of indigenous populations of Hispaniola. 
While the populations of Europe rebounded following the devastating population decline associated with the Black Death, there was no such rebound for the indigenous populations of the Caribbean. He concludes that, even though the Spanish were aware of deadly diseases such as smallpox, there is no mention of them in the New World until 1519, meaning perhaps they didn't spread as fast as initially believed, and that unlike Europeans, the indigenous populations were subjected to slavery, exploitation, and forced labor in gold and silver mines on an enormous scale. Reséndez says that "slavery has emerged as a major killer" of the indigenous people of the Caribbean. Anthropologist Jason Hickel of the London School of Economics estimates that a third of indigenous workers died every six months from lethal forced labour in these mines.
The gender agenda . . . 
The chapter in Raj Patel and Jason W. Moore's book A History of the World in Seven Cheap Things, which is called Cheap Care, begins with a reference to Columbus's wife and his observations in the "New World" regarding his Indigenous hosts; "they go as naked as when their mothers bore them, and so do the women, although I did not see more than one young girl." A month later and he had kidnapped half a dozen women, thinking that the men he'd already abducted would be more servile with female company. For Columbus and his Spanish expedition, this encounter with an alien culture was not a learning experience, it was another instance of what turned out to be the continuous and unrestrained projection of a set of European attitudes upon "virgin" territories. The Taíno world they were about to plunder, and the society they were about to destroy, was based on a matrilineal system and all notions of descent and heritage was traced through the mother. 
Women lived in village groups containing their children. The men lived separately. Because of this Taíno women had extensive control over their lives, their co-villagers, and their bodies. 
Since they lived separately from men, they were able to decide when they wanted to participate in sexual contact. This social organization partially shaped the views of conquistadors who came in contact with Taíno culture. They reportedly perceived women as "macha women" who had strong control over the men.

Taíno women played an important role in intercultural interaction between Spaniards and the Taíno people. When Taíno men were away fighting intervention from other groups, women assumed the roles of primary food producers or ritual specialists. 
Women seem to have participated in all levels of the Taíno political hierarchy, occupying roles as high up as being cazicas. Potentially, this meant Taíno women could make important choices for the village and could assign tasks to tribe members. There is evidence that suggests that the women who were wealthiest among the tribe collected crafted goods that they would then use for trade or as gifts. 
Women transformed into commodities

Despite women being seemingly independent in Taíno society, during the era of contact Spaniards took Taíno women as an exchange item, putting them in a non-autonomous position. Dr. Chanca, a physician who traveled with Christopher Columbus, reported in a letter that Spaniards took as many women as they possibly could and kept them as concubines. Some sources report that, despite women being free and powerful before the contact era, they became the first commodities, things for Spaniards to trade, or often, steal. This marked the beginning of a lifetime of kidnapping and abuse of Taíno women.  
Racism and patriarchy . . . 
Puerto Ricans Are Calling out Structural Racism After George Floyd's Death 
La Revolution Sera Feminista y Anti-racista - O no Sera - 
The Revolution will be Feminist and Anti-racist - Or it will not be - 
Re:LODE Radio chooses to present this image and accompanying article to explore a complex set of gender and race related histories. The screenshot shows the bottom half of the photograph by Victoria Leandra for a story published by Remezcla, a United States-headquartered Latin American media company serving the millennial market. The upper part of this image is used above, to illustrate the fact the protests about George Floyd's murder have occurred across many frontiers, including Puerto Rico, America's colony in the Caribbean. 
Returning to the chapter in Raj Patel and Jason W. Moore's book A History of the World in Seven Cheap Things, which is called Cheap Care, and referenced above, the authors consider the contents of Columbus's diaries, and while there is little textual material explicitly about women, his diaries; "contain a great deal about gender - about how a differentiation by sex mattered in the order of things, about how workers might be managed , about how women might be owned." 
Raj Patel and Jason W. Moore continue this analysis. They write: 
"The language of sex and sexuality cropped up on Columbus's third voyage when he wrote to the Spanish monarchs that the world was not a sphere but more breast shaped, with Paradise on the nipple." 
This use of simile was perhaps part of Columbus covering his tracks in his gross miscalculation of the distance between Spain and China.
Toscanelli's notions of the geography of the Atlantic Ocean (shown superimposed on a modern map), had directly influenced Columbus's plans.
Columbus took some convincing from his fellow conquistadors that Cuba was NOT a part of mainland China, and was in fact an island! Perhaps this also connects to the long running, and fake story, that before Columbus sailed to the New World, people thought the world was flat.  
Re:LODE has several articles on this:
The Earth Apple
Flat? or fiction?
In 1492 Columbus sailed the Ocean Blue . . .
Raj Patel and Jason W. Moore continue their commentary and insight:
Sailing around the world, the resources and people of the "other world" succumbing to him, Columbus conquered virgin lands for his king and queen. There's no necessary reason why the language of sex should also be the language with which silver mines were acquired. Yet as some humans moved across the surface of the planet, bringing it under the reign of property, they compassed it as they would a sexual conquest. The reign of cheap nature and cheap work was, from the beginning, a transformation not just in how and what humans could own but also in who could own and work, how they would be born, and how they would be cared for.
Two and half centuries later, and thousands of kilometres to the east, a European fantasy/projection of Indigenous People of the Americas appears as a symbolic personification for the New World continents in a vast mural in the Würzburg Residenz (1751-53) of Apollo and the Four Continents, painted by Giovanni Battista Tiepolo, an artist of considerable skill and prodigious output. "America", bare breasted, sits on an enormous alligator. 
Raj Patel and Jason W. Moore reference the work of Ann Stoler (Making Empire Respectable: The Politics of Race and Sexual Morality in 20th Century Colonial Cultures, 1989, and Carnal Knowledge and Imperial Power: Race and the Intimate in Colonial Rule, 2010): 
In her studies of colonial history, Ann Stoler observes a long line of European colonial fantasies and fears about Indigenous sexualities that sat atop some very rigid ideas about order and power: "Who wedded and bedded whom in the colonies of France, England, Holland and Iberia was never left to chance." Recent archaeology has suggested just how central the policing of sexuality and bodies was to the imperial project. As Barbara Voss notes, the "violent suppression of two-spirits and same sex sexuality was only part of the program of sexual control implemented by missionaries and military officials. With military support, missionaries also targeted premarital and extramarital sex, polygamy , and the use of birth control. as much as 25 percent of the annual mission budget for the Californias was used to purchase clothes to cover the Native [Californians'] 'indecency.'" (Voss, Barbara, Domesticating Imperialism: Sexual Politics and the Archaeology of Empire, 2008) 

The Great Nations of Europe - Balboa the killer 
Balboa found the Pacific, and on the trail one day, he met some friendly Indians whom he was told were gay.
So he had them torn apart by dogs, on religious grounds, they say. 
The great nations of Europe were quite holy in their way.
Now they're gone, they're gone, they're really gone. You've never seen anyone so gone. 
Some bones hidden in the canyon, some paintings in a cave 
There's no use trying to save them. There's nothing left to save.
Famous for the "discovery" of the Pacific Ocean, what he supposed to be a "South Sea", was Vasco Núñez de Balboa, a Spanish explorer, governor, and conquistador. He is best known for having crossed the Isthmus of Panama to the Pacific Ocean in 1513, becoming the first European to lead an expedition to have seen or reached the Pacific from the New World. 
In his own day he was notorious for his  acts of barbarous cruelty.
On gaining the position and the title of governor Vasco Núñez de Balboa became an absolute authority in Santa María in and all of Veragua in this region of Antigua del Darién. Balboa set about an aggressive campaign of defeating various tribes of the Indigenous People and befriending others. 
Meanwhile he was exploring rivers, mountains, and sickly swamps, and always greedily searching for gold and slaves while enlarging his territory. He was also able to quell revolts among those of his men who challenged this authority, and, through force, diplomacy, and negotiation, he earned a certain respect and fear among the natives. In a letter addressed to the King of Spain, he expressed, somewhat ironically, that he had to act as a conciliatory force during the course of his expeditions. 
He succeeded in planting corn, received fresh supplies from Hispaniola and Spain, and got his men used to life as explorers in the new territories. The acquisition of gold was a driving force for Balboa, and he managed to collect a great deal of this precious resource, much of it taken from the ornaments worn by the native women through "trading", and the rest obtained by violence. 
Peter Martyr d'Anghiera in his De orbe novo decades, wrote how Balboa had fed forty local homosexual men to his dogs. Balboa, upset with "a brother of the king and other young men, obliging men, [who] dressed effeminately with women's clothing [... of those which the brother of the king] went too far with unnatural" temerity, threw forty of them as food to the dogs. 
D'Anghiera continues his story saying that the indigenous people's "natural hate for unnatural sin" drove them so that, "spontaneously and violently, they searched for all the rest that they would know who were infected". After all, D'Anghiera mentions that "only the nobles and the gentlemen practiced that kind of desire. [... The] indigenous people knew that sodomy gravely offended God. [... And that these acts provoked] the tempests that with thunder and lightning so frequently afflicted them, or the floods that drowned their fruits that had caused hunger and sickness."
Balboa's expanding domain in the lands of Darién, were a part of the sovereign territories of Colombia. That was until the United States conspired to wrest this globally strategic region from a sovereign country, a country that straddles the LODE Zone Line, in order to control US global interests in the construction and control of the Canal that crosses the isthmus of the secessionist state of Panama. The generally unregarded global significance of the isthmus of Darién prompted a number of articles for the Re:LODE project under a caption taken from a poem by Keats
"On First Looking into Chapman's Homer": 
"Silent, upon a peak in Darien"
How many citizens of the United Kingdom are aware of a material connection in this particular geographical history to the political union of Scotland with England and the 1707 Acts of UnionDarién, a remote place, except for its inhabitants, was a Nexus of the World
The massacre described by Peter Martyr d'Anghiera was one among countless other atrocities, carried out by men whose actions reflected and amplified early modern Christian ideas of sex and power. In their chapter on Cheap CareRaj Patel and Jason W. Moore make the larger point of how, at the origins of capitalism, the "strategies used to corral Indigenous peoples into the pen of Nature were also used to create and manage a category of humans who would perform unpaid care work; women." 
The work of cooking, teaching, nurturing, healing, organising, and sacralising predates capitalism. Modern humans' first large-scale ecological transformations were caused by the work of care, particularly through the application of fire. But at capitalism's frontier, care activities underwent dramatic changes, reflecting and amplifying early modern Christian ideas of sex and power. Almost from the beginning, sex mattered in the colonial encounter. the word Columbus used to talk about the Arawak men was mancebo, suggesting adolescence and presexuality. Indigenous men were emasculated in Columbus's telling of them, and future colonial wars were characterised by the notion that the defeat of Indigenous warriors by the Spanish involved their sexual as well as military subjugation. Consider for instance, the 1519 letter to King Charles V of Spain from the council of Veracruz suggesting that he seek the pope's permission to punish Indigenous People because "such punishment [might] serve as a further occasion of warning and dread to those who still rebel, and thus dissuade them from such great evils as those which they work in the service of the devil. For in addition to children and men and women [being] killed and offered in sacrifice, we have learned and have been informed that they are doubtless all sodomites and engage in abominable sin." 
In setting out their rationale for the chapter on Cheap CareRaj Patel and Jason W. Moore pose a rhetorical question:
Q. What does this have to do with world-ecology? 
A. Everything. 
Indigenous systems of gender were far more capacious and inclusive than the ones brought from Europe, but they were incompatible with capitalism's ecology. For the order of cheap nature and cheap work to be created, other work needed to happen without being paid at all - most of all, the creation and management of bodies to do that work. This chapter looks at what's called reproductive labour, the work of caring for , nurturing, and raising human communities. such work is overwhelmingly unpaid because it makes the whole system of wage work possible. Without unpaid work, especially care work, wage work would simply be too expensive. As partially quoted above, they write: 
At the origins of capitalism, strategies used to corral Indigenous Peoples into the pen of Nature were also used to create and manage a category of humans who would perform unpaid care work; 
women!
Human bodies were forced, sometimes medically and always juridically, into one of two inescapable categories: man and woman. The resulting entangled binaries - of Society-Nature, Man-Woman, and paid work-unpaid work - have left us with a way of thinking that has committed humans in capitalism's world-ecology to making spectacular oversights: we continue to think of "real work" solely as wage work and forget the care work that makes it all possible.
This Black Lives Matter story published by Remezcla, connects the everyday struggle against racism with the everyday struggle against patriarchy.
Racism and patriarchy?
This article by Victoria Leandra raises a number of questions regarding race and identity, with Puerto Rico providing a nexus of the different systems of racial identification and classification imposed upon the Americas by European colonists. Victoria Leandra writes:
“It’s not just the killing of [George Floyd,] that’s the tip of the iceberg,” Alexa Figueroa, from Caguas, tells Remezcla. “Racism is structural, it’s taught to us at school and by our families at home.”
Like Figueroa, hundreds of Puerto Ricans are fed up with the idea that Afro-Latinos don’t experience racism at the same rate Black people do in the United States.
In response, they joined forces in Calle de La Fortaleza, in Old San Juan—the same area where #RickyRenuncia protests led their governor to resign in the summer of 2019.

“In the middle of so much pain, overwhelmed by everything we are experiencing in the midst of a pandemic and oppressive politics in Puerto Rico, it was important for us to have a space that was restorative and healing for our Black protest,” Glorian Sacha Antonetti, founder of Revista Étnica, tells Remezcla.

The day prior, a vigil to honor Floyd and Adolfina Villanueva, a Black woman killed by police in 1980, was celebrated in Loíza, where a significant percentage of its 30,000 residents identify as Black. But this manifestation was different. The rage, although pacific, was palatable.

Colectivo Feminista, the group of Puerto Rican women leading these protests, arrived chanting “Where are the anti-racists? The anti-racists are here!” For them, the battle goes beyond police brutality.

“We’re also talking about the displacement of Black people from their communities and environmental racism,” a Colectivo Feminista leader shouted into a loudspeaker. “It’s in Black communities where toxic substances are deposited.” Behind her, police officers guarded La Fortaleza, where the island’s current governor, Wanda Vazquéz, resides.

Racism and colorism is still prevalent across Latin America. Afro-Boricuas, fueled by the ongoing Black Lives Matter movement happening nationwide in the U.S., are encouraging others to speak up against the injustices they face in their respective countries.

“Minority groups exist in all countries, regardless of their skin color, there is a supremacy that has historically favored White,” Figueroa says. “This is the time to start denouncing racist practices both in Puerto Rico and the U.S., as well as in Latin America with fellow Indigenous people and fellow Afro-Caribbean people.”

Many white Latinos still don’t recognize their privilege. In an effort to uplift Afro-Latinx voices, a non-Black protester in San Juan asked Black protesters to come forward and the rest to step aside.

Antonetti explained why allies like that are important. “It’s vital we have allies. I’ve lived in the U.S. and that experience was very hard. One is too Black to be [considered] Latino and one speaks too much Spanish to be [considered] Black.”
Black and white and the Americanization of the world . . .
In the LODE and Re:LODE projects the issue of the "Americanization of the world", and notions of value, arose in relation to the particular Information Wrap and newspapers used to pack the crate of cargo created in Santa Fe de Antioquia, Colombia, and unpacked in LODE 1992 in Liverpool and Hull. In the Re:LODE project the cargo was re-opened in Liverpool in 2017 at the Yellow House.
The LODE 1992 poster/leaflet included this text: 

April 24, 1992 was 'Secretaries Day' in Colombia. A full page colour advertisement for Superley uses 64 images of women. Whether they are models, or secretaries, only one has dark skin, only six faces suggest a woman over 30 years old, the rest conform to a North American stereotype of beauty and "glamour". 

And was followed by these questions:
To what image do you aspire?

How can you see yourself through the image of another culture?

What is the purpose in a society where the majority are poor of constantly showing images of glamour, wealth and white middle-class power?
These questions were further explored, and with more scope for reference, in the Re:LODE project of 2017 in the article:

The "Americanization of the World", European Exceptionalism and Eurocentrism 


Colombia is a nation of many and mixed peoples. About half the population are mestizos (a person of European and Amerindian descent), about a fifth mulattos (a person of mixed white and black ancestry) and another fifth white, mostly descendants of the Spaniards. The remaining indigenous peoples (called Amer-Indians?) consist of over 50 different tribal societies scattered in small enclaves in almost all regions of the country. They represent between 1% and 1.5% of the population. Very recently, half a millenium later, the new Constitution of Colombia recognises the rights and independent existence of the indigenous peoples of this land. Accomanying this recognition, various economic priorities have been instituted by the Colombian state to promote and preserve the culture and traditions of these peoples. For those people, imported into the continent as cargoes of slaves and left to inhabit the poorest regions of the country, there have been no equivalent provisions in the Constitution. They are not descended from European or indigenous people, and they are forgotten. Here is a relevant extract from the Re:LODE article
Black and/or white? Beauty is in the eye of the beholder!
These Colombian women are members of a feminist and pacifist international organisation that has worked for peace and disarmament since 1915, WILPF continues to work to the end the longest armed conflict in the American continent.
This photograph of a group of young and beautiful Colombian women is a photograph of Americans. Latin Americans are Americans too. The persistent reference to citizens of the United States of America as "Americans" and the habit across much of the northern and eastern hemispheres to refer to Mexicans as Mexicans, Colombians as Colombians, Panamanians as Panamanians etc., but not to refer to these Americans as American, must be, for the majority of Americans, annoying, to say the least.
Then there is this United States of America based website which is all about the commodification of sexuality and the embodiment of this in an objectification that in this case is applied to, or imposed upon "Colombian women"!
This is what the website story starts with, a date in Colombia's history that marks independence from Spanish colonial rule.
Today, July 20th, marks the 201st anniversary of Colombia's independence from Spanish rule. Frustrated with their limited influence over their home country, the Colombian people rioted in protest of the unfair treatment. On July 20, 1810, specifically, a mob of Colombian citizens in Bogota, driven by an impassioned speech by leader José Acevedo y Gómez, surrounded the Viceroy ready to attack, forcing him to sign an act which permitted a local ruling council and eventually freedom.

Today, Colombians remember the victory with a sense of hope for a peaceful resolution to the violence and drug crimes that have continued to plague the country. They commemorate the day by celebrating their country's rich history, culture and people.

That's why, here in the states, we're recognizing the South American country's victory with our own tribute to their people; namely, their beautiful female population. If there's anything Colombians can always proudly laid claim to, it's their population of strikingly gorgeous ladies. Thus, let us celebrate the country's independence by saluting the 50 Hottest Colombian Women.
Shakira is No 1.














Jeymmy Vargas was the only black woman and 45th on this list of the 50 hottest Colombian women.






Vargas was the third Colombian and the first black woman to win Miss International in 2004.

Colombia is ethnically diverse, its people descending from the original native inhabitants, Spanish colonists, Africans originally brought to the country as slaves, and 20th-century immigrants from Europe and the Middle East, all contributing to a diverse cultural heritage. 

Afro-Colombians make up 10.6% of the population, almost 5 million people, according to a projection of the National Administrative Department of Statistics (DANE), most of whom are concentrated on the northwest Caribbean coast and the Pacific coast in such departments as Chocó, whose capital, Quibdó, is 95.3% Afro-Colombian as opposed to just 2.3% mestizo or white. Considerable numbers are also in Cali, Cartagena, and Barranquilla. Colombia is considered to have the fourth largest Black/African-descent population in the western hemisphere, following Haiti, Brazil and the USA. 

Where are the other four black Colombian women?

The 2% representation of Afro-Colombians in the United States of America based website celebrating the relative "hotness" of 50 Colombian women clearly reflects the deep-level racial stereotyping present in this particular sector of the cultural environment within the USA. Is it the case that, visually, the physical appearance of Jeymmy Vargas corresponds to a North American stereotype of beauty and "glamour"? In other words, does she have a European "look", and if so then this correlates with the observation made in the LODE project of 1992 concerning the newspaper full-page advertisement where out of 64 images of secretaries only one had dark skin, and she too had the look of a European.

Looking "European", looking "white", & being black!

There are benefits to looking European in Colombia and across the world.

Self-identifying and "colour" in the Puerto Rican population
The history of Puerto Rico, and the Puerto Rican population, reflects a complexity, a matrix that emerges in the mix of the Latin American cultural history of the European conquest of a New Spain, and the peculiar contradictions, alongside blind hypocrisy, of the British, and later, American colonies of North America, when it comes to defining the human and the "other". And, it is worth "the reminder", that Puerto Rico still remains the world's oldest colony, while the US stands as the oldest colonial power.
In the 1899 census, one year after the United States invaded and took control of the island, 61.8% of the people self-identified as White. 
In the 2010 United States Census the total of Puerto Ricans that self-identified as White was 75.8% or 2,825,100 out of the 3,725,789 people living in Puerto Rico. This figure was down from 80.5% in the 2000 Census.
Self-identifying as White in Puerto Rico must, in some respects at least, relate to the fact that, in the context of the Americanization of the world, being White, or looking White, has its benefits. When it comes to the fact of lineage in Puerto Rico it is the case that the average Puerto Rican is of "mixed race", but in the context of a social hierarchy, and the categorization of people according to the Spanish notion of Casta (or caste), where people were ranked according to their blood.
Puerto Ricans of "Some other race alone" or "Two or more races" constituted 11.1% of the population in the 2010 Census, but few actually identify as multiracial; only 3.3% did so in the 2010 Census. 

The Puerto Rican tendency is to more often self-identify with their predominant heritage, and most have significant ancestry from two or more of the founding source populations of Spaniards, Africans, and Tainos. Although Spanish ancestry is predominant in a majority of the population, according to the National Geographic Genographic Project, "the average Puerto Rican individual carries 12% Native American, 65% West Eurasian (Mediterranean, Northern European and/or Middle Eastern) and 20% Sub-Saharan African DNA."

Very few self-identified white Puerto Ricans are of unmixed European ancestry, and in genetic terms, even many of those of pure Spanish origin may have North and West African ancestry brought from founder populations originating in the Canary Islands. 


Afro-Puerto Ricans form a significant minority of the Puerto Rican population. In the 2010 United States Census, 12.4% of people self-identified as Black.  The vast majority of the Africans who were brought to Puerto Rico did so as a result of the slave trade taking place from many groups in the African continent, but particularly the West Africans, the Yoruba, the Igbo, and the Kongo people.

Very few self-identified Black Puerto Ricans are of unmixed African ancestry, while a genetically unmixed Amerindian population in Puerto Rico is technically extinct despite a minuscule segment of self-identified Amerindian Puerto Ricans due to a predominant Amerindian component in their ancestral mixture. Research data shows that 60% of Puerto Ricans carry maternal lineages of Native American origin.

The history of Puerto Ricans of African descent begins with free African men, known as libertos, who accompanied the Spanish Conquistadors in the invasion of the island. 

As Randy Newman points out in his song "The Great Nations of Europe", the Spaniards enslaved the indigenous Taínos people, many of whom died as a result of new infectious diseases and the Spaniards' oppressive colonization efforts. However, Spain's royal government needed labourers and so began to rely on slavery to staff their mining and fort-building operations. The Crown authorized importing enslaved West Africans, so consequently, the majority of the African peoples who arrived in Puerto Rico did so as part of the forced migration of the Atlantic slave trade.

When the gold mines in Puerto Rico ran out of gold, the Spanish Crown no longer considered the island to be a high colonial priority. Its chief ports served primarily as a garrison to support naval vessels, and as part of this new role, the Spanish encouraged free people of colour from British and French possessions in the Caribbean to come to Puerto Rico, to provide the necessary population base to support the Puerto Rican garrison. 


The Spanish decree of 1789, known as the "Royal Decree of Graces of 1789", which set new rules related to the slave trade and added restrictions to the granting of freedman status. The decree granted its subjects the right to purchase slaves and to participate in the flourishing slave trade in the Caribbean. Later that year a new slave code, also known as El Código Negro (The Black Code), was introduced.

Under "El Código Negro," a slave could buy his freedom, in the event that his master was willing to sell, by paying the price sought. Slaves were allowed to earn money during their spare time by working as shoemakers, cleaning clothes, or selling the produce they grew on their own plots of land. Slaves were able to pay for their freedom in installments, and likewise, to pay in installments for the freedom of newborn children, not yet baptized, at a cost of half the going price for a baptized child. Many of these freedmen started settlements in the areas which became known as Cangrejos (Santurce), Carolina, Canóvanas, Loíza, and Luquillo. Some became slave owners themselves.

Despite these paths to freedom, from 1790 onwards, the number of slaves more than doubled in Puerto Rico as a result of the dramatic expansion of the sugar industry in the island. Every aspect of sugar cultivation, harvesting and processing was arduous and harsh. Many slaves died on the sugar plantations. allowed slaves to earn or buy their freedom; however, this did little to help their situation. The expansion of sugar cane plantations drove up demand for labour and the slave population increased dramatically as new slaves were imported.


In 1791, the slaves in Saint-Domingue (Haiti), revolted against their French slave owners. Many of the French escaped to Puerto Rico via what is now the Dominican Republic and settled in the west coast of the island, especially in Mayagüez.

After the successful slave rebellion against the French in Saint-Domingue (Haiti) in 1803, establishing a new republic, the Spanish Crown became fearful that the "Criollos" (native born) of Puerto Rico and Cuba, her last two remaining possessions, might follow suit. The Spanish government issued the Royal Decree of Graces of 1815 to attract European immigrants from non-Spanish countries to populate the island, believing that these new immigrants would be more loyal to Spain than the mixed-race Criollos. However, they did not expect the new immigrants to racially intermarry, as they did, and to identify completely with their new homeland.


However, the decree also encouraged the use of slave labour to revive agriculture and attract new settlers. The new agricultural class immigrating from other countries of Europe used slave labour in large numbers, and harsh treatment was frequent.
 

As a consequence of the Royal Decree of Graces of 1815, thousands of Corsicans immigrated to Puerto Rico, along with German immigrants as well as Irish immigrants who were affected by the Irish Potato Famine of the 1840s. They were followed by smaller waves from other European countries and China. There even some Puerto Ricans of British heritage, most notably Scottish people and English people who came in the 17th and 18th centuries.

Throughout the years, there were many slave revolts in the island. Slaves who were promised their freedom joined the 1868 uprising against Spanish colonial rule in what is known as the Grito de Lares. On March 22, 1873, slavery was abolished in Puerto Rico. 
Racism and Colourism
The systems of racial identification and classification imposed upon the Americas by European colonists have their origins in the social frameworks of European societies. These were, and are, essentially patriarchal frameworks that, in the initial period of colonisation were undergoing transformations in the processes and adjustments that led to the emergence of a capitalist system. Capitalism as a system, necessarily produces various, and different, ways of defining humanity in a set of classes, classes that range from a material resource to exploit, through to a commodity to trade, and most horrifically, if and when expedient, to eliminate entirely.

In A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet, Raj Patel and Jason W. Moore present the historical sources of this process as part of their chapter on Cheap Lives:

Keeping things cheap is expensive. The forces of law and order, domestic and international, are a costly part of the management of capitalism's ecology. 

We've titled this chapter "Cheap Lives" not "Expensive State" because we want to focus not on the institutions of government but on their processes and consequences. 

Understand how capitalism has made "cheap lives" a strategy of cheap nature, and you understand not only the forces required to keep money, work, care, food, and energy cheap but also how the most sophisticated and subtle modern institution, the nation-state, still draws on early modern roots and natural science to manage modern life.

More important still, as states confront the limits of their ability both to manage the lives in their charge and to provide conducive environments for liberal capitalism, we're reaching the end of an era of cheap lives. 

We make this argument not with relish for the successor to the liberal nation-state but out of concern for what may follow. We're astute enough students of history to know that what comes next might be far worse. (page 182)


Thoughts on hierarchy and bodies are old. It takes special kinds of institutions to circulate and weaponize them. The nation-state is just such an institution, one that emerged through capitalism and contingency. To understand we return to the Black Death

In late medieval Europe, Jewish communities in a range of cities and states had negotiated ways to practice their faith under laws that were not from Rome and interpreted by local bishops but from the Torah and interpreted by rabbis. These truces were always precarious. During the Crusades, Pope Innocent III (r. 1198-1216) issued a Constitutio Judaeorum requiring monarchs to respect Jews. 

At the same time, however, came the requirement that, to receive protection, Jews be distinguishable. They had to wear a badge "made of red felt or saffron yellow cloth"- for their own safety, and to prevent intermarriage with Christians. This policing of blood came to matter a great deal when people with that blood were accused of mass murder. (page 183)

Enter the Black Death in 1347. Louis Sanctus suggested that the plague was sent as divine retribution for the actions of Queen Joanna of Naples, who'd murdered her husband, Andrew of Hungary. 

More important than the fear of Oriental contagion or the particular horror of a woman killing her legal owner were theories that put the blame on the newly conspicuous community of Jews. 
In response to the pestilence, Jews were tortured and confessed to poisoning cities. Although pope Clement VI (r. 1342-52) prohibited extrajudicial killing, forced conversion, and desecration of Jewish property in 1348, the slaughter spread throughout Europe as the plague burned through the population.
Among many horrors, consider that on January 9, 1349, all of Basel's Jewish children were separated from their parents and forcibly baptized and then the city's six hundred adult Jews burned at the stake "on a sandbank on the Rhine."
Thousands were immolated in the city-state-sponsored pogroms, and the members of some Jewish communities took their own lives before they could be tortured and killed by their neighbors. These atrocities happened despite repeated mandates from Rome.
The Catholic Church's power over Europe's commercial centers was starting to wane, while the precedent that some people might be transformed into things had been set. (page 184-5)

Blood purity, the state's increasing power relative to Rome, and a body of literature sanctioning the idea of natural orders of humans were all in place. They were used to inform and propel new kinds of governance, and once again the site where new kinds of social-scientific control were practiced was the colonial frontier.

In New Spain, the sistema de castas emerged as a way of policing citizens, taxes, and labor requirements, as well as proximity to god. It ranked people according to their blood, with categories emerging like answers to a combinatorial mathematics problem.
From the original African slaves, Indigenous People, and Spanish emerged categories like españoles (Spaniards), peninsulares (Spaniards and other Europeans born in Europe), criollos (Spaniards and other Europeans born in the Americas, indios (Native Americans), mestizos (people of unknown Native American and European heritage), castizos (people with 75% European and 25Indigenous heritage), cholos (people with Native American and some mestizo heritage), pardos (people of European, African and Native American heritage), mulatos (people of African and European heritage), zambos (people of Native American and African heritage), and negros (Africans). In fact the complexities of gender, sex and history demanded their own vocabulary and arithmetic:
The sistema de castas
We get the term "caste", or "Caste System", as, for example, applied by a colonial administration in India, from  the Spanish "Casta", a term which means "lineage" in Spanish. This term has been used and interpreted by certain historians during the 20th century to describe mixed-race individuals in Spanish America. 

Racial category labels had legal and social consequences, since racial status was a key organizing principle of Spanish colonial rule. Often called the sistema de castas or the sociedad de castas, there was, in fact, no fixed system of classification for individuals, as careful archival research has shown. 
There was considerable fluidity in society, with individuals being identified by different categories simultaneously or over time. Individuals self-identified by particular terms, often to shift their status from one category to another to their advantage. For example, Mestizos were exempt from tribute obligations, but were as subject to the Inquisition as Spaniards were. Indios, on the other hand, paid tribute yet were exempt from the Inquisition. A Mestizo might try to "pass" as an Indio to escape the Inquisition. An Indio might try to pass as a Mestizo to escape tribute obligations.

In the historical literature, how racial distinction, hierarchy, and social status functioned over time in colonial Spanish America has been an evolving and contested discussion. 
Although the term sistema de castas (system of castes) or sociedad de castas ("society of castes") are utilized in modern historical analyses to describe the social hierarchy based on race, with Spaniards at the apex, archival research shows that there is not a rigid "system" with fixed places for individuals. Rather, a more fluid social structure where individuals could move from one category to another, or maintain or be given different labels depending on the context, seems to be the actual case.
 Casta paintings
In the eighteenth century, "casta paintings," imply a fixed racial hierarchy, but this genre may well have been an attempt to bring order into a system that was more fluid. "For colonial elites, casta paintings might well have been an attempt to fix in place rigid divisions based on race, even as they were disappearing in social reality."
This painting depicts a Spanish father, together with Torna atrás (De Español y Albina, nace Torna atrás) mother, with a child designated as Tente en el aire ("floating in mid air").

This is perhaps an example of how a granular approach to distinctions in "racial" lineage also includes, contradictorily, an almost poetic ability to capture something of the fluidity of the actual social reality.
The idea of "purity of blood", limpieza de sangre, originating under Moorish rule, developed in Christian Spain to denote those without the "taint" of Jewish (or, later Muslim/Moorish) heritage ("blood"). So, this ideology was directly linked to religion and notions of legitimacy, lineage and honour following Spain's reconquest of Moorish territory. 
It became institutionalized during the Inquisition. The Inquisition only allowed those Spaniards who could demonstrate not to have Jewish and Moorish blood to emigrate to Latin America, although this prohibition was frequently ignored and a number of Spanish Conquistadors were Jewish Conversos. Others, such as Juan Valiente, were Black Africans.

The idea in New Spain that native or "Indian" (indio) blood in a lineage was an impurity may well have come about as the optimism of the early Franciscans faded about creating Indian priests trained at the Colegio de Santa Cruz de Tlatelolco, which ceased that function in the mid-sixteenth century. In addition, the Indian nobility, which was recognized by the Spanish colonists, had declined in importance, and there were fewer formal marriages between Spaniards and indigenous women than during the early decades of the colonial era. 
Is racial distinction a part and parcel of a class society?
In the seventeenth century in New Spain, the ideas of purity of blood became associated with "Spanishness and whiteness, but it came to work together with socio-economic categories", such that a lineage with someone engaged in work with their hands was tainted by that connection.
The Wake - An emblematic picture of Puerto Rican familial, multicultural and multiracial society
"El Velorio" - 'The Wake' - (1893) by Puerto Rican artist Francisco Oller. This painting has become a a Puerto Rican national treasure and is not allowed to leave the Museum of History, Anthropology, and Art at the University of Puerto Rico's Río Piedras campus.
This is, perhaps, because the painting is emblematic, in some profound way, of Puerto Rican identity. And, at the same time, it is an image of a social reality that has to some extent been lost in the tide of so-called progress and economic development.
Francisco Oller is described as both a Realist and an Impressionist artist, and he did indeed work alongside Realist and  Impressionist artists while living, studying and working in France.  In 1858, he had moved to Paris, France where he studied under Thomas Couture. Later he enrolled to study art in the Louvre under the instruction of Gustave Courbet, who would have influenced his artistic purpose during his Realist period. Having returned to Puerto Rico from Paris in 1866 he found himself face-to-face with slavery. His response was to create a number of works including El negro flageado (The negro being flogged), El castigo del negro enamorado (the punishment of the negro in love), along with other works that were unsparing in their depiction of the violence and dehumanizing cruelty of slavery in Puerto Rico. 
Returning to France in 1874 Oller spent nearly two decades in Europe working alongside the pioneers of Impressionism, and, through his travels, participated in a vibrant exchange of aesthetic ideas, forging his own brand of international modernism while engaging with the social issues unique to the Caribbean.
 

As an Impressionist artist his artistic purposes were similar to his fellow Caribbean artist Camille Pissaro, who was by the 1880s, beginning to explore new themes and methods of painting to break out of what he felt was the artistic "mire" that "Impresionism" and "art" was, for him, becoming. As a result, Pissarro went back to his earlier themes by painting the life of country people, which he had done in Venezuela in his youth. Degas described Pissarro's subjects as "peasants working to make a living".

However, this period also marked the end of the Impressionist period due to Pissarro's leaving the movement. As Joachim Pissarro points out, "Once such a die-hard Impressionist as Pissarro had turned his back on Impressionism, it was apparent that Impressionism had no chance of surviving ..."

It was Pissarro's intention during this period to help "educate the public" by painting people at work or at home in realistic settings, without idealising their lives. Pierre-Auguste Renoir, in 1882, referred to Pissarro's work during this period as "revolutionary," in his attempt to portray the "common man." Pissarro himself did not use his art to overtly preach any kind of political message, however, although his preference for painting humble subjects was intended to be seen and purchased by his upper class clientele. He also began painting with a more unified brushwork along with pure strokes of colour.


Like Pissarro, and unlike the many European artists who came to the Caribbean to create exotic "tropicana", Francisco Oller's work is about working to crystalize an image of Puerto Rican social reality. And in "El Velorio" ("The Wake") (1893),
this 8-by-13-foot painting, one of the few of his works that have survived, was not seen as exotic and glamorous, but was exhibited in the Paris Salon of 1895. Oller uses small, visible brush strokes and an emphasis on an accurate depiction of light and mastery of colour in its fleeting and changing qualities. But it is the painting's subject that has translated the work into a national treasure. The painting depicts the wake of death, a "baquiné", for a dead child laid on a table covered with flowers. The racial diversity of the participants is striking, while seemingly totally ignoring the dead child, they instead celebrate with food, drink, games, songs, dancing and prayer. This is because reason for this is that they believe it is a time for celebration for the child has become an angel and should be properly sent off. All the while the parents are mourning over the loss of their child and some are consoling the mother.
A Thesis by José Luis Santana, accessible on the web: An Absent History: The Marks of Africas on Puerto Rican Popular Catholicism, helps in an understanding of the complex historical background to Puerto Rican culture that includes the deep seated, but "unspoken" influence of an African heritage.  

Re:LODE Radio chooses to quote the following section of paragraphs from this thesis to call out an undercurrent identified in this post; 

the benefits of being White!

“… para mejorar la raza.”

The phrase, “in order to improve the race,” is commonly used throughout Latin America to express the sentiment that African, Amerindian, or other non-White cultural characteristics and phenotypes are inferior to those of European descent. This expression is often used out of ignorance; it is an unconscious preference for that which is considered Iberian, perfectly revealing a way of thinking that has been ingrained in the indiscernible desires of many. The use of the phrase, and the thinking it conveys, commonly appears in regard to relationships. If a person is dating someone of a lighter skin tone, then others will be complimentary, support the relationship, and encourage marriage and reproduction “in order to improve the race.” In reverse, marrying someone of darker features is discouraged
Black people - both slave and free - occupied different roles in Puerto Rico.
Proportionally, there were more free Blacks than in other countries such as the U.S.A., Cuba, and Brazil. Because the island did not hold as much importance to Spain until the late eighteenth century, White colonists often left for better opportunities in Cuba, Nueva España (present-day Mexico), and South America. This led to a consistently sizeable population of negros libertos (free Blacks) and free mulattos.
Not all Blacks who worked on the plantations were slaves either. In need of work, many free Blacks worked on plantations as day laborers, a job that allowed them to maintain their freedom and receive pay, but which included treatment hardly better than that of a slave.
The desire to Whiten oneself or others is in some sense a type of self-imposed eugenics ingrained in the ethos of many Puerto Ricans. This is not solely because of slavery but also because of other laws and decrees intended to ensure the success of Spanish colonization, to be outlined here.
From early on in Spain’s governance of the island there was concern over racial mixing. In 1551, Carlos V issued a law prohibiting the union of Whites with Blacks and Blacks, whether free or slave, with Amerindians.
This prohibition is the most explicit example of the social thinking in Puerto Rico influenced by blood purity ideology. Still, the intermixing of races was unavoidable. For one, early on the majority of women present on the island were either Black or Amerindian, given that only the few Spanish elite were able to travel to Puerto Rico with their wives. Furthermore, with the large number of free Blacks on the island, there was a certain level of tolerance for Black people. But still, as Benedictine monk Fray Iñigo Abbad y Lasierra stated in his 1788 published history of Puerto Rico, “There is no thing more insulting than to be Black or a descendant of them.”
Despite the large numbers of Whites intermixing with Blacks it was still not looked upon positively. Another clear law aimed at the suppression of Blackness was the Royal Decree of Graces of 1815 (Real Cédula de Gracias de 1815). This decree established a “regulation for the population and the promotion of trade, industry and agriculture on the island of Puerto Rico and admission of foreigners.”
The decree was issued at a time when Spain had already lost or was maintaining a tenuous grip on its other possessions throughout Latin America. While some small independence movements were forming, Puerto Rico and Cuba were the only two colonies that were not actively fighting for independence. Additionally, Puerto Rico was one of the least settled and advanced colonies, a position that resulted from its being largely ignored by Spain before the coffee, tobacco, and sugar plantation boom of the late 18th and early 19th centuries.
The desired intent of the decree was, in essence;
to Whiten the country.
A census taken in 1812 revealed that the majority of the island was non-White. Less than fifty percent (79,662) of the population was White, compared to 103,352 Blacks and mulattos (of which 17,536 were slaves).
As the continued importation of slaves to support the growing agriculture continued to augment the colored population on the island, the decree was intended to make immigration to Puerto Rico attractive to Whites from European countries and other colonies. At this time, the government was in desperate need of addressing the deficit in its treasury, and the Royal Decree of Graces was the solution that could strengthen Spain’s political control of Puerto Rico and improve the island’s commerce. 
Katherine Bowman writes, “Puerto Rican ports were opened to trade, duties on the importation of slaves and machinery for agricultural production were reduced, and, perhaps most significantly, immigration from allied Catholic countries was encouraged through generous land grant policies.” 
The Spanish Crown, with little trust in free Blacks and mulattos, saw this decree as a lucrative opportunity for foreigners to invest in the island through their immigration, and they did. By 1834, 52% of the population was White.
In effect, the Royal Decree of Graces of 1815 achieved two ends: it Whitened the island and helped to stagnate the fear of a Black insurrection.

The Royal Decree of Graces of 1815 had a profound effect on the racial composition of Puerto Rico. While certainly not the sole or greatest cause of racial inequalities in Puerto Rico, it sent a message that White foreigners, not Blacks or mulattos were needed in order for the island and its economy to prosper.
According to Díaz Soler, the Church maintained baptismal books in parish archives in which there were decrees certifying limpieza de sangre. In certifying blood purity, Blacks, Amerindians, and mulattos were all considered to be of a bad race.
As the grantors of marriages licenses and baptismal records, two imperative documents in legitimizing a person’s Whiteness, the role the Church played in the social constructions of Whiteness and Blackness was deliberative. In sum, the Church performed a complicit role in the socially-constructed Whitening of Puerto Ricans by controlling how people should comport themselves religiously and by giving credence to claims of Whiteness, negating the positive contribution Black religiosity could add to how people express themselves and their relationship to God.
The cult of the ancestors is even more pronounced in the traditional practice of the baquiné. When a person dies in Africa, his or her friends and family practice ceremonies meant to honor of his or her life. These ceremonies are intended to ensure that the dead have a peaceful passage from one stage of life to the next. What is more, one’s ancestorship is dependent upon the proper carrying out of these ceremonies. In some cultures, the recently deceased are believed to still be present in or around the lifeless corpse for several days. Their presence provides a time for the family to continue conversing and being with the deceased member. 
As Olupona states, “Because the dead are still spiritually very much alive, the family of the living makes every effort during funeral rites to make sure that their new ancestor in pleased.” In many of these African traditions, the death of a loved one is even treated as a reason for celebration. This was also the case on plantations in Puerto Rico. 
As Idalia Llorens Alicea states:
The slave did not partake in the funerary bereavement the same as the European olonizers. For Africans death is something like a re-conquered liberty, a final return to their homeland; it was a cause for joy. For that reason, when a slave died they went to their outhouses to play the drums as if it were a great party.
The celebration of a deceased person’s life, and their passing from one stage of life to the next, as Llorens Alicea describes, would come to be known in Puerto Rico as a ceremony called, the baquiné.
While today it is a tradition that has dwindled in practice, the baquiné has been and still is celebrated throughout the island, especially in areas with large Black populations. The baquiné is a practice that appears to have developed out of the funerary celebrations organized by slaves on plantations. 
While originally the lives of those of all ages would have been celebrated, according to the accounts examined by Llorens Alicea and Díaz Soler, the tradition grew a special attention for the lives of children. While there are no official rules regarding this popular practice, the baquiné today is generally only celebrated for a deceased child (of no more than nine years of age). It is believed that the death of a child necessitated celebration since the lives of children are innocent. Because it is believed that children die without sin they are considered angelitos, or “little angels.” The joyful passing of the child liberates them from the troubles of this world so that they can partake in the harmony of the spirit world with the rest of their ancestors. The children are usually dressed in white to connote the idea of innocence.
During the celebration the child is placed on a table or in a coffin at the center of the living room in their home. As the deceased child lies there, the gathered family and friends sing songs, play music, dance, eat food, and consume alcohol.

A baquiné is famously depicted by Puerto Rican artist of the 19th and early 20th century Francisco Oller. Oller’s iconic painting called “El Velorio,” or “The Wake,” was completed in 1893. 
“El Velorio” depicts a rural setting with various characters involved in the celebration. In the piece, the dead child is laid on a table in the center of the room covered in flowers, but no one appears to be paying it any attention. To the left of the painting are musicians playing the guitar, guiro, and maracas. There is also a grieving mother, men drinking alcohol, and children at play. The painting truly captures all that is present during the 19th century rural Puerto Rican baquiné
According to Luisa, a resident from Loíza interviewed during research preparation for this work, “people would wake up singing and dancing the baquiné. For many years they even danced the baquiné in the church.” The songs of the baquiné tend to reflect the nature of the gathering, encouraging participants to celebrate the life of the innocent child.
One example of such a song is:
No le llores, no le llores, no le llores al bebe
Vamos a cantarle bomba, vamos a hacer un baquiné.
“Don’t cry for him, don’t cry for him, don’t cry for the baby
We are going to sing to him bomba, we are going to have a baquiné.”
A popular song sung during the baquiné that has been adopted by bomberos, groups that play traditional Afro-Puerto Rican drumming music, is “Remeneate.” While at first glance the song peripherally relates to the baquiné, its rhythm and lyrics encourage the joyful celebration and movements of dancing intended to make the ceremony a feast.
Remeneate, remeneate, remeneate casco ‘e juey
Remeneate, remeneate, remeneate casco ‘e juey
Si te faltan las patitas, como tu te va menear
Si te faltan las patitas, como tu te va menear
Le pregunto a usted señora como lo puede bailar
Le pregunto a usted señora como lo puede bailar
“Shake yourself, shake yourself, shake yourself shell of crab
Shake yourself, shake yourself, shake yourself shell of crab
If you are missing the feet, how are you going to shake
If you are missing the feet, how are you going to shake
I ask you lady how are you able to dance
I ask you lady how are you able to dance.”
Another popular element of the baquiné is the chistes colorados, or jokes. These as well are employed to lighten the mood and often include satirical jokes about spirits, both good and evil.
Funeral rites such as the baquiné are intended to ensure the loved one’s contentment with the display of love from his or her family. While the baquiné is falling out of practice today, Puerto Ricans are still finding elaborate ways to celebrate their loved ones. Today, it is not uncommon for families to host viewings of their dead dressed in their favorite clothes, “engaging” in their favorite activities, and with their favorite drink in hand. Despite the modernization, these events too aim to not only honor the deceased family member, but also to ensure their joyful passing to the world of spirits.
The Americanization of Puerto Rico
Puerto Rico's status as a colony of the United States, and with its rich and complex history, so closely connected to the Spanish colonial experience, provides a complex and living example of a cultural and ideological interface, exposing in a localized way specific features of the cultural, ideological and economic forces, that are currently operating on a global scale.

A United States Commonwealth?
Wikipedia has an article on the Culture of Puerto Rico that has a section headed United States:
Culturally, Puerto Rican sentiment for the U.S. tends to vary between emulation and opposition, a result of the complicated socio-political relationship between the two. Since establishment as a United States Commonwealth in 1898, traditional economics, social structure, nationalism, and culture has been affected in Puerto Rico.

Before the United States captured Puerto Rico from Spain in 1898, the colony was agriculture based, with most people working on sugar cane, tobacco, or coffee plantations, and continuing in this way through the beginning of the 20th century as an agricultural society.
This was all about to change!
Re:LODE Radio considers the following information, and resisting the pressure to be concise, is important in framing the US colonial policies and attitudes that were imposed upon the peoples and culture of Puerto Rico, especially in the period of the mid twentieth-century.
White supremacism, and the American racist and colonial mindset.
In order to understand the interface between racial identity in a Latin American culture and the racialised institutions found in the United States, it is important to acknowledge the White supremacist dimension of the American racist and colonial mindset. This became particularly evident in the aftermath of the American Civil War and the abolition of slavery, with the reactionary response of the defeated anti-abolitionists merging with a widespread neo-Malthusian and pseudo-Darwinian view of the exceptional superiority of a white, and European, race.
A foreigner! Different! Black Africans become the "other"!
This ideology of American and European exceptionalism and racial superiority has its origins in the experience of the particular constitutional state institutions that legalised slavery among the thirteen British North American colonies. 

Re:LODE Radio considers the legal doctrine pertaining to "property", Partus sequitur ventrem (Latin for '"that which is brought forth follows the belly (womb)"'), as reflecting a cultural process validating the de-humanising of the "other". 

Partus sequitur ventrem, often abbreviated to partus, was a legal doctrine concerning the slave or free status of children born in the English royal colonies. It was borrowed from the civil law of Europe, which applied throughout the Americas in colonies of Spain, Portugal, France and the Dutch, among others. 
Incorporated into legislation in the British American colonies, partus held that the legal status of a child followed that of his mother. Thus, any child born to an enslaved woman was born into slavery, regardless of the ancestry or citizenship of the father. This principle was widely adopted into the laws regarding slavery in the colonies and the following United States, eliminating financial responsibility of fathers for children born into slavery, while securing the slave-owner's property right in the children.

Prior to the adoption of the doctrine in England's colonies, English common law had held that among English subjects, a child's basic legal status followed the father, based on the concept that a married couple were a unit headed by the father. The community could require the father to acknowledge illegitimate children and provide some support for them, and arrange for apprenticeships so the children were assured of learning a means of self-support. 


Courts wanted the fathers to take responsibility so the community did not have to support the children. At the same time, common law regarding chattel (personal property) held that the natural increase from personal property, including domestic animals, accrued to the owner. According to British jurist William Blackstone, the common law agreed with the civil law concept of partus sequitur ventrum, but had not generally applied it to humans.

In 1658 Elizabeth Key was the first woman of African descent to bring a freedom suit in the Virginia colony, seeking recognition as a free woman of colour, rather than being classified as a Negro (African) and slave. Her natural father was an Englishman and a member of the House of Burgesses. He had acknowledged her, had her baptized as a Christian in the Church of England, and arranged for her guardianship under an indenture before his death. Her guardian returned to England and sold the indenture to another man, who held Key beyond its term. When he died, the estate classified Key and her child (also the son of an English subject) as Negro slaves. Aided by a young English lawyer working as an indentured servant on the plantation, Key sued for her freedom and that of her infant son. She won her case.

The legal scholar Taunya Lovell Banks suggests the early cases in the colonies dealing with mixed-race children of ethnic Africans and English had more to do with determining "subjecthood" than with modern ideas about race or citizenship. English colonists were considered subjects of the Crown, but Africans and others, in England and the colonies at the time, were considered foreigners and not eligible for the rights of subjects. The fact that they were not Christians also caused the Africans to be classified as foreigners. 


The colonies had no process for naturalizing them as subjects, and citizenship had not been fully defined. The courts struggled to define the status of children born to couples of whom;

one was an English subject and the other a foreigner.

The demands of labour led to importing more African slaves as the number of indentured servants declined in the late seventeenth century, related to conditions both in England and the colonies. The legal doctrine of partus was part of colonial law passed in 1662 by the Virginia House of Burgesses, and by other colonies soon afterward. It held that: 


"all children borne in this country shall be held bond or free only according to the condition of the mother. . . "

As at the time, most bond women were African and considered foreigners, their children likewise were considered foreigners and removed from consideration as English subjects. 


The racial distinction made it easier to identify them as "other." 

Slavery became a racial caste associated with Africans regardless of the proportion of English or European ancestry that children inherited from paternal lines. The principle became incorporated into state laws when the colonies achieved independence from Great Britain.

Some historians suggest the partus doctrine was based in the economic needs of a colony with perpetual labor shortages. Conditions were difficult, mortality was high, and the government was having difficulty attracting sufficient numbers of indentured servants. The change also legitimized the sexual use of slave women by white planters, their sons, overseers and other white men. Resulting illegitimate mixed-race children were "confined" to slave quarters unless fathers took specific legal actions on their behalf. The new law in 1662 meant that white fathers were no longer required to legally acknowledge, support, or emancipate their illegitimate children by slave women. Men could sell their children or put them to work.

Sex between white male masters and their female slaves, coupled with the partus law, resulted in generations of slaves of mixed-race ("mulatto") and even primarily European ("quadroon") ancestry, as European visitors noted in Virginia by the eighteenth century.

Such was the case in Monticello, the plantation household of US President Thomas Jefferson. In 1773, his wife Martha inherited more than 100 slaves from her father John Wayles, including the eleven mixed-race members of the Hemings family. Betty Hemings, daughter of an enslaved African woman and an English sea captain, was taken as a concubine by the widower Wayles after he buried three wives, and they had six mixed-race children during a 12-year relationship. The children, the youngest of whom was Sally Hemings, were three-quarters white, and half-siblings to Martha Wayles.

Most historians believe that Jefferson, a widower in his 40s, repeated this pattern, taking Sally Hemings as his concubine. They were believed to have a 38-year, monogamous, stable relationship; and Jefferson fathered her six children, four of whom survived to adulthood. With seven-eighths European ancestry, they were legally white under Virginia law of the time, although born into slavery. After moving to the North, three of the four entered white society as adults. Some of them and their descendants changed their names and disappeared into history. One direct male descendant was shown in 1998 to have Y-DNA that matched that of the Jefferson male line. Jefferson's only known male descendants were the three Hemings sons.

Along the Gulf Coast in Latin colonies, there arose an elite class of free people of colour, descendants originally of African women and European colonists, especially in New Orleans, Savannah and Charleston. Many of these Creoles of colour married among their own class, became educated and owned property; some held slaves of their own.

In the two decades after the Revolution, numerous slaveholders in the Upper South were moved by its ideals to free their slaves ("manumission"), so that the percentage of free blacks rose from less than one percent in 1780 to more than 10 percent by 1810. In Virginia, 7.2 percent of the population were free blacks by 1810. In Delaware, three quarters of the blacks were free by 1810. Soon, the demand for slave labour increased as cotton cultivation expanded, and manumissions dropped markedly. Virginia and other state legislatures in the early nineteenth century made manumissions more difficult to obtain.

The author Mary Chesnut wrote of her South Carolina society at the time of the Civil War,

This only I see: like the patriarchs of old our men live all in one house with their wives and their concubines, the Mulattoes one sees in every family exactly resemble the white children—every lady tells you who is the father of all the Mulatto children in every body's household, but those in her own, she seems to think drop from the clouds or pretends so to think . . .
Fanny Kemble, an English actress married to an American planter in the antebellum era, wrote about what she saw as the disgrace of elite white fathers abandoning their mixed-race children in her Journal of a Residence on a Georgia Plantation in 1838-1839. She did not publish the book until 1863.

In the antebellum years, not all white fathers abandoned their children by slave or free black mistresses. Some lived in common-law relationships with slave women, protecting them and their children by manumission when possible, by passing on property to them, or by arranging apprenticeships or education for the children, and sometimes settlement in the North. Some wealthy planters paid to have their mixed-race children educated in the North, in colleges such as Oberlin, which was open to all races. For example, by 1860, most of the 200 subscription students at Wilberforce University in southern Ohio, established in 1855 by the Methodist and African Methodist Episcopal churches for the education of black youths, were mixed-race, "natural" sons, whose education was paid for by their wealthy Southern planter fathers. These were exceptions to the many mixed-race children who were abandoned.
Methodism has its own historical complicity in the institution of colonial enslavement of Africans to generate profits for their owners through their work.
No slave labour and the founding of the English colony Georgia

Owing to the colony's primary role as a military buffer between English and Spanish-held territories, the original model for the colonisation of Georgia excluded the use of slave labour, fearing that runaway slaves could internally weaken the colony and assist the enemy at St. Augustine, Florida. But, instead of slaves defecting southwards to the Spanish, runaways from the Carolinas found refuge in Georgia, thus irritating its northern neighbour. The banning of slavery also reduced the work force, and this was felt to be a constraint on Georgia's early economic growth. Many settlers thus began to oppose the colony's founder Oglethorpe, regarding him as a misguided and "perpetual dictator". Many new settlers soon set their eyes on South Carolina as a less restrictive and, they hoped, a more profitable place to settle. In 1743, after Oglethorpe had left the colony, the ban on slavery was lifted. Various forces united including the English who always urged it and as a result large numbers of slaves were soon imported.
 One of these "forces" was the oratory and rhetorical persuasive power of George Whitefield, an English Anglican cleric who was one of the founders of Methodism and the evangelical movement. 
In 1739, he returned from Savannah in Georgia to England to raise funds to establish the Bethesda Orphanage, the oldest extant charity in North America.

Whitefield's endeavor to build an orphanage in Georgia was central to his preaching. The orphanage and preaching comprised the "two-fold task" that occupied the rest of his life. On 25 March 1740, construction began. Whitefield wanted the orphanage to be a place of strong Gospel influence, with a wholesome atmosphere and strong discipline.

Having raised the money by his preaching, Whitefield "insisted on sole control of the orphanage." He refused to give the Trustees a financial accounting. The Trustees also objected to Whitefield's using "a wrong Method" to control the children, who "are often kept praying and crying all the Night".
On returning to North America in 1740, he preached a series of revivals that came to be known as the Great Awakening of 1740. In 1740 he engaged Moravian Brethren from Georgia to build an orphanage for Negro children on land he had bought in the Lehigh Valley of Pennsylvania. Following a theological disagreement, he dismissed them but was unable to complete the building, which the Moravians subsequently bought and completed.
He preached nearly every day for months to large crowds of sometimes several thousand people as he traveled throughout the colonies, especially New England. His journey on horseback from New York City to Charleston was the longest then undertaken in North America by a white man.
Like his contemporary and acquaintance, Jonathan Edwards, Whitefield preached staunchly Calvinist theology that was in line with the "moderate Calvinism" of the Thirty-nine Articles. While explicitly affirming God's sole agency in salvation, Whitefield freely offered the Gospel, saying at the end of his sermons:
"Come poor, lost, undone sinner, come just as you are to Christ."
The defence of slavery was common among 18th-century Protestants, especially missionaries who used the institution to emphasize God's providence. Whitefield was at first conflicted about slaves.
It appears that Whitefield believed that African slaves were "human", but he also believed that they were "subordinate Creatures".
It was a source of irritation to many colonists in Georgia that slavery had been outlawed in the establishment of the Georgia colony in 1735. In 1747, Whitefield attributed the financial woes of his Bethesda Orphanage to Georgia's prohibition of slavery. He argued that;
"the constitution of that colony [Georgia] is very bad, and it is impossible for the inhabitants to subsist without the use of slaves."
Between 1748 and 1750, Whitefield campaigned for slavery's legalisation. He said that the colony would not be prosperous unless farmers had slave labour. Whitefield wanted slavery legalized not only for the prosperity of the colony, but also for the financial viability of the Bethesda Orphanage.

"Had Negroes been allowed", he said, "I should now have had a sufficiency to support a great many orphans without expending above half the sum that has been laid out." 

Whitefield's push for the legalization of slavery "cannot be explained solely on the basics of economics." It was also that "the spectre of massive slave revolts pursued him."
Slavery was legalized in 1751. Whitefield saw the "legalization of slavery as part personal victory and part divine will." Whitefield now argued a scriptural justification for slavery. He increased his number of slaves, using his preaching to raise money to purchase them.

Whitefield became "perhaps the most energetic, and conspicuous, evangelical defender and practitioner of slavery." By propagating such "a theological defense for slavery" Whitefield "participated in a tragic chapter of the nation's experience."

Stephen J. Stein, "George Whitefield on Slavery: Some New Evidence" (Church History Vol. 42, No. 2, Jun., 1973), p. 256.
Black Jacobins

When it comes to the "spectre of slave revolts" with the Black Jacobin François-Dominique Toussaint Louverture; also known as Toussaint L'Ouverture or Toussaint Bréda; (20 May 1743 – 7 April 1803), it was nothing less than a REVOLUTION! 

Louverture was a Haitian general and best-known leader of the Haitian Revolution. He first fought for the Spanish against the French; then for France against Spain and Great Britain; and finally, he fought on behalf of Saint-Domingue in the era of Napoleonic France. As a leader of the growing resistance, his military and political acumen saved the gains of the first black insurrection in November 1791, helping to transform the slave insurgency into a revolutionary movement.

Already a free man and a Jacobin by then, Louverture began his military career as a leader of the 1791 slave rebellion in Saint-Domingue. Initially allied with the Spaniards of neighbouring Santo Domingo (modern Dominican Republic)Louverture switched allegiance to the French when the new government abolished slavery. 

He gradually established control over the whole island and used political and military tactics to gain dominance over his rivals. Throughout his years in power, he worked to improve the economy and security of Saint-Domingue

Worried about the economy, which had stalled, he restored the plantation system using paid labour; negotiated trade treaties with the United Kingdom and the United States; and maintained a large and well-disciplined army. 

Although Louverture did not sever ties with France in 1800 after defeating leaders among the free people of colour, he promulgated an autonomous constitution for the colony in 1801, which named him as Governor-General for Life, even against Napoleon Bonaparte's wishes.

In 1802, he was invited to a parley by French Divisional General Jean-Baptiste Brunet, and was arrested under false pretenses. He was deported to France and jailed in a cell without a roof. Deprived of food and water, he died in 1803. 
Though Louverture died betrayed before the final and most violent stage of the armed conflict, his achievements set the grounds for the black army's absolute victory. Suffering massive losses in multiple historic battles at the hands of the Haitian army and losing many men of their forces to yellow fever, the French capitulated and withdrew permanently from Saint-Domingue that very year.
The Haitian Revolution continued under Louverture's lieutenant, Jean-Jacques Dessalines, who declared independence on 1 January 1804, thereby establishing the sovereign state of Haiti.
"they will be your executioners!"
This is an edited sequence from Burn! or Queimada a political film directed by Gillo Pontecorvo and starring Marlon Brando, Evaristo Márquez and Renato Salvatori. The music was composed by Ennio Morricone. The fictional story is an allegorical and double layered view of the colonial policy of a Great Nation of Europe coming through, and the contemporary policy of the United States in South East Asia, during the Vietnam War. While the film focuses on the creation of a tropical republic in the Caribbean, and the events that follow it, it is also a critique of American policy in Indochina. Marlon Brando plays a British secret government agent, named after the American filibuster William Walker, who manipulates a slave revolt to serve the interests of empire and the sugar trade. The screenwriters also drew on the intelligence agent Edward Lansdale, who served the United States government in the Philippines and Indochina in the 1950s through to the 60s.
Twentieth-century racial segregation in the United States
The so-called Jim Crow laws that were introduced in the aftermath of the American Civil War were state and local laws that enforced racial segregation in the Southern United States. These laws were enacted in the late 19th and early 20th centuries by white Democratic-dominated state legislatures to disenfranchise and remove political and economic gains made by Black people during the post-Civil War Reconstruction period. The Jim Crow laws were enforced until the Civil Rights movement in the US led to their abolition in 1965.
In practice, Jim Crow laws mandated racial segregation in all public facilities in the states of the former Confederate States of America and in some others, beginning in the 1870s. Jim Crow laws were upheld in 1896 in the case of Plessy vs. Ferguson, in which the U.S. Supreme Court laid out its "separate but equal" legal doctrine for facilities for African Americans. While the U.S. Supreme Court majority in the 1896 Plessy v. Ferguson case explicitly permitted "separate but equal" facilities (specifically, transportation facilities), Justice John Marshall Harlan, in his dissent, protested that the decision was an expression of white supremacy; he predicted that segregation would "stimulate aggressions … upon the admitted rights of colored citizens", "arouse race hate", and "perpetuate a feeling of distrust between [the] races."

Many U.S. states banned interracial marriage. This became a particularly contradictory legal situation in therms of ethics, principles and practical realities. Surprisingly for some, it was the case that even while opposed to slavery in the U.S, in a speech in Charleston, Illinois in 1858, Abraham Lincoln stated:  

"I am not, nor ever have been in favor of bringing about in any way the social and political equality of the white and black races, that I am not, nor ever have been in favor of making voters or jurors of negroes, nor of qualifying them to hold office, nor to intermarry with white people. I as much as any man am in favor of the superior position assigned to the white race"

In 1967, Mildred Loving, a black woman, and Richard Loving, a white man, were sentenced to a year in prison in Virginia for marrying each other. Their marriage violated the state's anti-miscegenation statute, the Racial Integrity Act of 1924, which prohibited marriage between people classified as white and people classified as "colored" (persons of non-white ancestry). In the Loving v. Virginia case in 1967, the Supreme Court invalidated laws prohibiting interracial marriage in the U.S.
The problem of classifying persons as non-white
The definition of being "white" in this white supremacist order of things found some difficulty in legally defining the pure blooded white race in a country where much of the population had mixed-race heritage, especially in the states where slavery was institutionalized. The term "Children of the plantation" was a euphemism used during the time of slavery in the United States, to identify the offspring of enslaved black women and white men, usually the owner or one of his sons or the plantation overseer. Such children were born into slavery, and were classified as mulattoes, a historic term for a multiracial person. 

Although racial segregation was adopted legally by southern states of the former Confederacy in the late 19th century, legislators resisted defining race by law as part of preventing interracial marriages. In 1895 in South Carolina during discussion, George D. Tillman said:

It is a scientific fact that there is not one full-blooded Caucasian on the floor of this convention. Every member has in him a certain mixture of... colored blood...It would be a cruel injustice and the source of endless litigation, of scandal, horror, feud, and bloodshed to undertake to annul or forbid marriage for a remote, perhaps obsolete trace of Negro blood. The doors would be open to scandal, malice, and greed.

Both before and after the American Civil War, many people of mixed ancestry who "looked white" and were of mostly white ancestry were legally absorbed into the white majority. State laws established differing standards. For instance, an 1822 Virginia law stated that to be defined as mulatto (that is, multi-racial), a person had to have at least one-quarter (equivalent to one grandparent) African ancestry. Social acceptance and identity were historically the keys to racial identity. Virginia's one-fourth standard remained in place until 1910, when the standard was changed to one sixteenth.

In 1924, under the Racial Integrity Act, even the one sixteenth standard was abandoned in favor of a more stringent standard. The act defined a person as legally "colored" (black) for classification and legal purposes if the individual had any African ancestry.

Although the Virginia legislature increased restrictions on free blacks following the Nat Turner Rebellion of 1831, it refrained from establishing a one-drop rule. When a proposal was made by Travis H. Eppes and debated in 1853, representatives realized that such a rule could adversely affect whites, as they were aware of generations of interracial relationships. During the debate, a person wrote to the Charlottesville newspaper:

[If a one-drop rule were adopted], I doubt not, if many who are reputed to be white, and are in fact so, do not in a very short time find themselves instead of being elevated, reduced by the judgment of a court of competent jurisdiction, to the level of a free negro.

The state legislators agreed. 
From the late 1870s on, white Democrats regained political power in the former Confederate states and passed racial segregation laws controlling public facilities, and laws and constitutions from 1890 to 1910 to achieve disfranchisement of most blacks. Many poor whites were also disfranchised in these years, by changes to voter registration rules that worked against them, such as literacy tests, longer residency requirements and poll taxes.

No such law was passed until 1924, apparently assisted by the fading recollection of such mixed familial histories.

Q. Was this all about a "White" denial, the racist guilt and shame of mixed race ancestry?  

The one-drop rule was not adopted as law until the 20th century: first in Tennessee in 1910 and in Virginia under the Racial Integrity Act of 1924 (following the passage of similar laws in several other states). This was decades after the Civil War, emancipation, and the Reconstruction era, but it followed restoration of white supremacy in the South and the passage of Jim Crow racial segregation laws. 

As a social and legal principle of racial classification that was historically prominent in the United States in the 20th century, it verges on the pathological. The principle asserted that any person with even one ancestor of black ancestry, just "one drop" of black blood would be considered black, "Negro" or "coloured" in historical terms. 

In the 20th century, it was also associated with the rise of eugenics and ideas of racial purity. This concept was associated with the principle of "invisible blackness" that developed after the long history of racial interaction in the South, which had included the hardening of slavery as a racial caste and later segregation. It is an example of hypodescent, the automatic assignment of children of a mixed union between different socioeconomic or ethnic groups to the group with the lower status, regardless of proportion of ancestry in different groups.
The "one drop rule" meant that mulattoes could never be part of white society. 
In the 21st century, such interracial family histories are being revealed as individuals undergo DNA genetic analysis.
Q. Why has the reality of widespread interracial family histories in America been denied, covered up, mythologized?
In Louisiana many free people of colour were part of a culture and society that had been more accepting of interracial relationships and so allowing the mythologizing of the quadroon and octoroon women of mixed race into an exoticized male fantasy, and subsequently into a contested history. This brings us to the contested history of Plaçage. 

Plaçage was a recognized extralegal system in French and Spanish slave colonies of North America (including the Caribbean) by which ethnic European men entered into civil unions with non-Europeans of African, Native American and mixed-race descent. The term comes from the French placer meaning "to place with". The women were not legally recognized as wives but were known as placées; their relationships were recognized among the free people of color as mariages de la main gauche or left-handed marriages. The received, but recently contested, history is that they became institutionalized with contracts or negotiations that settled property on the woman and her children and, in some cases, gave them freedom if they were enslaved. The system flourished throughout the French and Spanish colonial periods, reaching its zenith during the latter, between 1769 and 1803. It was widely practiced in New Orleans, where planter society had created enough wealth to support the system. 
A reference in the Wikipedia article on Plaçage links to this interview by Stacy Parker Le Melle with the historian Emily Clark (09/04/2013) published on HUFFPOST:

Quadroons for Beginners: Discussing the Suppressed and Sexualized History of Free Women of Color with Author Emily Clark

“As a historian, I knew that mixed race women and interracial families were everywhere in America from its earliest days.  And I knew that most of the free women of color in antebellum New Orleans bore no resemblance to the quadroons of myth.” - Dr. Emily Clark
The discussion . . .
Stacy Parker Le Melle: Yes, The Strange History of the American Quadroon was a pageturner for me, for how could I not be hungry to keep reading when I felt that so much history was being revealed? Upon finishing, I asked Dr. Clark to share more about these hidden women, these heroines often unaccounted for when we think about the great American survivors or race in our country.  I grew up in Michigan reading next to nothing about them in mainstream history texts. If you read Dr. Clark’s work, you will be moved by the ways our ancestors coped with much that was raw and horrific in our nation’s past, and how many did so with refinement and uncommon grace.  For those who know little about free women of color, consider the following Quadroons for beginners.  I thought I was past the “beginner” stage, but reading Dr. Clark made me realize I still had much to learn.

How do you define an “American Quadroon”? 

Dr. Clark: There are really two versions.  One is the virtually unknown historical reality, the married free women of color of New Orleans who were paragons of piety and respectability. The other is the more familiar mythic figure who took shape in the antebellum American imagination. If you asked a white nineteenth-century American what a quadroon was, they would answer that she was a light-skinned free woman of color who preferred being the mistress of a white man to marriage with a man who shared her racial ancestry. In order to ensnare white lovers who would provide for them, quadroons were supposedly schooled from girlhood by their mothers to be virtuosos in the erotic arts. When they came of age, their mothers put them on display at quadroon balls and negotiated a contract with a white lover to set the young woman up in a house and provide enough money to support her and any children born of the liaison. The arrangement usually ended in heartbreak for the quadroon when the lover left her to marry a white woman.  If this sounds like a white male rape fantasy, that is exactly what it was. There is one other key characteristic of the mythic American Quadroon: she was to be found only in New Orleans.

What did it mean to be a free woman of color in antebellum New Orleans?

Dr. Clark: There’s no simple answer to that question. If you were born after 1790 to parents who had themselves been born in New Orleans, you were likely to marry a free man of color and have children and see them grow up to marry and have children.  In the 1820s you would have been as likely to marry as white women in the city. But the story was different for women who were refugees of the Haitian Revolution and their daughters. Different practices in pre-revolutionary Haiti, known as Saint-Domingue, coupled with the economic and social trauma of dislocation made it less likely that these free women of color would marry. 

One thing that both native-born and refugee women shared, however, was the burden of a racist legal system that stigmatized them, discriminated against them, and made it easy to humiliate them.

New Orleans became world famous for its “Quadroon Balls”.  In your book, you argue that many descriptions of these balls were just repetitions of one 1826 eyewitness account. What was it really like to attend a quadroon ball?  How did these balls change over time to accommodate tourists looking for the legend?

Dr. Clark: The earliest reliable account of a quadroon ball that we have comes from a German count who visited New Orleans in the 1820s. He describes an extremely sedate affair where the young women were “well and gracefully dressed, and conducted themselves with much propriety and modesty.  Cotillions and waltzes were danced, and several of the ladies performed elegantly.” Ten years later a man visiting from Virginia describes women dancing in their night garments, which suggests that the “propriety and modesty” of the 1820s had been replaced by something very different, a spectacle that catered to the sexual fantasies aroused by the earlier accounts. By the 1840s the quadroon balls had moved to a rowdy dancehall near the docks. Male patrons were warned that they were likely to be robbed if they took money in with them and evenings often ended in violent brawls.

Let’s talk plaçage.  Why would a free woman of color enter into such a relationship? 

Dr. Clark: Let me say first that “plaçage” as a notion is as problematic as the mythic quadroon. There was really no such thing — even the term itself comes from a 20th-century Haitian practice, not from 19th-century New Orleans. There was no system of mothers brokering placements for their daughters with white men they had met at a quadroon ball. Instead, there was a broad range of relationships between free women of color and white men that originated in a variety of ways and often lasted for life. For an enslaved woman in late colonial New Orleans, entering into a sexual relationship with a white man who was not her owner could sometimes be a path to freedom, as it was for one of the women I write about, Agnes Mathieu.

For women already free, a life partnership with a man, white or black, offered better prospects for economic stability than remaining a single mother — and we have to remember that nearly all women of this era became mothers. Some of the mixed couples that I write about — Samuel Moore and Dorothée Lassize, for example, were entrepreneurial teams. For the Haitian refugee women who arrived in New Orleans in the massive influx of 1809, a liaison with a white man — even a temporary one — could represent an expedient survival strategy.  In at least one well documented case, a free woman of color and a white man underwent a sacramental wedding even though the laws of Louisiana prohibited their legal marriage to one another. Most of the men in these relationships, by the way, never abandoned the free black mothers of their children. They went to their graves legal bachelors. 

The legal prohibition against interracial marriage in antebellum Louisiana was an attempt to stigmatize free women of color who made families with white men. I feel that we somehow do the same when we lump them all together under the imaginary rubric of plaçage.

You write of the ménagère relationship in Saint-Domingue (Haiti) as precursor to “plaçage.” Please tell us about the difference between the two roles for women of color.

Dr. Clark: It’s a precursor in the sense that people who observed examples of the ménagère among the Haitian refugees in New Orleans misread it and created from it a prototype for the imaginary system of plaçage.  A ménagère was a free woman of color hired to keep house for a planter in pre-revolutionary Saint-Domingue. She was hired formally, with a contract that stipulated what she would be compensated in pay and things like housing and healthcare.  Many of these contracts survive in the archives for Saint-Domingue. Sometimes, but not always, a ménagère became the sexual partner of her employer, often for life. When visitors to New Orleans described the way relationships between free women of color and white men worked, they often spoke of a contract that was negotiated. I’ve never encountered such a contract in the archives of New Orleans — and I’ve looked! — but ménagère contracts are mentioned in several lawsuits brought by Haitian refugee women against the white men who did not honor the contract once the couple came to New Orleans. To a visitor to New Orleans in the 1810s and 1820s, there was no difference between the French-speaking free women of color born in the city and those who were Haitian refugees. A garbled, vaguely understood impression of the immigrant ménagère became the archetype for all of the city’s free women of color for the Anglophone observers who wrote the seminal accounts of the New Orleans quadroon.   

Tell us about the “fancy trade”. How common was it to purchase light-skinned enslaved women for sex and domestic service?  How much do we know about how these women fared? How does this practice connect to Storyville, and later day New Orleans’s culture of prostitution? (Or does it?)

Dr. Clark: We don’t really know how common this practice was.  It is a hard thing to pin down in terms of real numbers. There are some court cases that illuminate the seamy workings of the trade in “fancy maids.” They reveal that there were several slave traders from the upper south who specialized in bringing light-skinned enslaved women to New Orleans. And that suggests that these men scoured the upper south in search of women who looked like what people expected to find in New Orleans, the home of the quadroon. The picture that comes through from the court cases is grim: teenaged girls, some of them in very poor health, kept in squalid living conditions.  Emily Landau has written an excellent book, Spectacular Wickedness, that discusses the link between the quadroon/“fancy maid” fantasy and the popularity of brothels that featured light-skinned women of color in Storyville, the red light district in post-bellum New Orleans.

How is the quadroon myth alive today?

Dr. Clark: Take one of the popular horse-drawn carriage tours of New Orleans and I’ll bet you that you’ll hear about the quadroons and their balls. A hotel in the city that occupies the site of one of the ballrooms in which dances for free women of color were held promotes itself with advertising copy about quadroon balls. In a way, the city of New Orleans is itself seen by the rest of the country as a quadroon, a city given over to the exotic, transgressive qualities that defined the myth.

What drew you to the history of quadroons?  Why did you feel compelled to devote your attention to their stories?

Dr. Clark: The short answer is Hurricane Katrina. New Orleans was misrepresented and maligned by so many in the storm’s aftermath, and much of that sprang from people’s perception that the city was not really American. The myth of the quadroon was part of that: supposedly she only existed in New Orleans, could only survive in New Orleans because it was the only place that could tolerate such a supposed aberration from American racial and sexual norms. But as a historian, I knew that mixed race women and interracial families were everywhere in America from its earliest days. And I knew that most of the free women of color in antebellum New Orleans bore no resemblance to the quadroons of myth. The women I write about can’t set the record straight about themselves and the city they lived in. In the aftermath of the storm, I couldn’t not take on that work.

As a high school student in Michigan in the late 80s, I remember learning precious little about mixed race people, and absolutely zilch about free women of color.  Do you think it’s important for history curricula to include their stories?  If so, what should textbook makers stop the presses and include right this minute?

Dr. Clark: Yes, I do think it’s important. The system of slavery depended on a pair of binaries:  slave or free, black or white.  Mixed race people challenged that binary at every turn, and still do.  I think that one of the reasons that free women of color are absent from the history taught in schools is in part because their stories have for so long been presumed to be universally tragic and shameful. The presumption has been that sexual exploitation defined their experience, and that’s a topic that has a hard time finding space in school curricula. 

Every enslaved woman and many free women of color did find themselves vulnerable to rape and sexual aggression from white men.  But that is not the whole story. Some free women of color formed life partnerships or married and lived the kinds of settled, respectable, secure lives that were supposed to be attainable only by white women in antebellum America.  When school textbooks talk about the 19th-century cult of true womanhood, I’d like for them to note that some of the women who exemplified it best were free women of color living in New Orleans.
Hurricane Katrina . . .
Dr. Clark's research was prompted, she explains, by reflecting on the consequences of Hurricane Katrina, and especially the misrepresenation of the history of the inhabitants of New Orleans in much of the media coverage following this extreme weather event in 2005. A couple of years later, in the 10th anniversary year of Hurricane Katrina devastating the city, a number of new angles on this event emerged, including "Climate Change" and "Class".
10 years later: Was warming to blame for Katrina?
This question was posed by Andrea Thompson of Climate Central on August 27th 2015 in this article:
In the days after Aug. 29, 2005, when the world watched Hurricane Katrina become one of the worst natural disasters in U.S. history, a question reverberated through the public consciousness: Was climate change to blame?

This question arose in part because of a desire after such terrible events to understand why they occur. Katrina killed an estimated 1,200 people and caused more than $100 billion in damage. But the question was also driven by an emerging public awareness of the changes that global warming might mean for the world’s weather, including hurricanes.

At the time, scientists had few easy answers. There was clear evidence that temperatures around the globe had risen and expectations that this would shift weather patterns and make some events more extreme in the future, but no clear accounting had been done of whether those effects were discernible in the weather happening to us today.

Ten years later, there is still no straightforward answer for this or other storms. Partly this is because the question itself is flawed, belying the complexity of these weather events and their relationship to the climate. But scientists have found other ways to probe the role of warming, by asking, for example, how sea level rise has made flooding worse or how warming has influenced entire hurricane seasons.

Such studies can tell us something valuable about how climate change is impacting the world we live in, even if they can’t give us a clear “yes” or “no” answer.

The Problem With Hurricanes
In 2005, when Katrina helped increase awareness of climate change, the science of what is called “extreme event attribution” was just emerging. Today it is one of the fastest growing fields in climate research, with efforts even to pinpoint the role of warming just days after an event.

While scientists can use certain statistical methods to say with a fair degree of confidence what role climate change has played in altering the odds of some types of extreme weather, such as heat waves, they are still hampered when it comes to highly complex phenomena like hurricanes.

Unlike temperature records, which tend to extend back long enough to show how the odds of heat waves have changed over time — and whether those changes are beyond the normal chaotic ups and downs of nature — reliable hurricane records extend back at most a few decades to the beginning of satellite observations. That isn’t long enough for scientists to say with confidence that any changes to hurricane frequency or intensity over that time aren’t from natural variability alone. In fact, some work has shown that any expected trends in increased hurricane intensity may not be detectable for several decades.

With relatively straightforward events like heat waves, it is also fairly simple to use computer models to compare how often an extreme event occurs with and without anthropogenic warming. But hurricanes are too small-scale and complex for broad climate models to faithfully reproduce, and relatively rare enough that it would take too much computer power and time to complete enough model runs to see any potential changes at this point.

“I don’t think it’s yet doable for a hurricane,” Adam Sobel, an atmospheric scientist at Columbia University’s Lamont-Doherty Earth Observatory, said.

Finding the Link
But there are still ways for scientists to get some idea of the role of warming in hurricane activity and particular storms through other approaches.

A 2013 study published in the journal Climatic Change found that Katrina’s impact on the Gulf Coast would have been significantly less damaging under the climate and sea level conditions of 1900 when its storm surge would have been anywhere from 15 to 60 percent lower.

While sea level rise from warming played a noticeable role in Katrina, the main issue was another man-made problem: local land subsidence and wetland degradation that have left parts of the coast much more vulnerable to flooding. Any effect of warming on the intensity of the storm was relatively minor, the researchers found.

As this study illustrates, sea level rise has so far been the clearest link that can be made between climate change and storms today.
Another modeling study in the Journal of Geophysical Research: Atmospheres, conducted just a year after the storm, found that warmer ocean temperatures in Katrina’s path would help boost the intensity of the storm by changing the amount of water vapor in the atmosphere.

That finding is broadly in line with what is expected from climate change, Gabriel Vecchi, a climate scientist at the National Oceanic and Atmospheric Administration who was not involved with the work, said. But in the years since, researchers have noticed that the exact patterns of ocean warming can create differences in how hurricanes in different regions might respond to climate change, so studies like this don’t necessarily give the whole picture.

Another avenue researchers have recently pursued is to broaden their view and look at how warming may have impacted an entire hurricane season or particular hurricane trends. A study to be published in the Bulletin of the American Meteorological Society in September has found that manmade warming upped the odds of the uptick in hurricane activity around Hawaii in 2014, for example.

And while the record is too short for any role of warming to be clear yet for trends in hurricane intensity or frequency overall, some particular trends could lend themselves toward detecting and attributing a warming influence. Tom Knutson, one of Vecchi’s NOAA colleagues and frequent collaborators, cited the recent finding that warming could shift hurricane tracks poleward, as one possibility. Another candidate could be any increase in hurricane rainfall which hasn’t shown up yet in observations, but is a robust projection in climate models, he said.

The bottom line a decade out from the devastation of Katrina is that while questions on the impacts of climate change in today’s world don’t always have easy answers, it doesn’t mean researchers can’t say anything at all.
Ten years on! The human dimensions of race gender, and class remain . . .


Hurricane Katrina  exposed the vast social inequalities in US society, particularly as they are exposed along racial, gender and class lines. The absence of any concrete class analysis indicates the nonchalant attitude toward class concerns within race, gender and class studies. The recent katrina disaster can be viewed as a physical microcosm of a larger social disaster of how race, gender and class structures the lives of all of us.
So Jean Alt Belkir and Lenus Jack Jr. of Southern University at New Orleans, introduce the special issue in 2007 of Race Gender & Class Volume 14
The results of researches undertaken much closer in time to the events of this natural and man-made catastrophe included the essay: Race, Gender and Class Lessons from Hurricane Katrina, by Jean Ait Belkhir and Christiane Charlemaine. They say:

In the public imagination, natural disasters do not discriminate, but are instead "equal opportunity" calamities. Hurricanes may not single out victims by their race, or gender or class but neither do such disasters occur in historical, political, social, or economic vacuums. Instead, the consequences of such catastrophes replicate and exacerbate the effects of extant inequalities, and often bring into stark relief the importance of political institutions, processes, ideologies, and norms. 
In the words of New York Times' columnist David Brooks, storms like Hurricane Katrina "wash away the surface of society, the settled way things have been done. They expose the underlying power structures, the injustices, the patterns of corruption and the unacknowledged inequalities." The last two decades alone have provided a series of examples that demonstrate the vast inequalities of U.S. democratic system, particularly as they are manifested along racial, gender and class lines. A truly race, gender and class left would want to eliminate class inequality. But, in the race, gender and class trinity class is the odd factor. Mainstream race, gender and class social and academic activists want to get rid of race and gender inequality but "forget" class inequality.

Also included in this Volume was the essay entitled “America through the Eye of the Hurricane Katrina - Capitalism at its ‘Best’ What are we Prepared to Do? by Jerome Scott and Walda Katz-Fishman, and written in the months immediately after the human-made disaster of Hurricanes Katrina and rita devastated New Orleans and the Gulf Coast in 2005, and contextualising the destruction of human life, community, and environment in history, economy, power, and people’s struggles.

The “horror” (a word, borrowed here, from Joseph Conrad's Heart of Darkness), particular to the federal government response to the the Hurricane, was the intentional abandonment and criminalization of the poor, working class, communities of color - African American, Indigenous immigrant - especially women, children, elders, in the face of the challenge of an environmental crisis.
The Criticism of government response to Hurricane Katrina warrants its own article in Wikipedia with a section heading:
Race as a factor in the slow response 
In a survey conducted of 680 evacuees taken to various shelters in the Houston area, a vast number of respondents, a full 70%, faulted President George W. Bush and the Federal Government for their handling of the problem, while 58% and 53% blamed Governor Blanco and Mayor Nagin respectively. Sixty eight percent felt the response would have been quicker if those trapped had been white and wealthier and 61% indicated that they felt the government did not care about them. Ninety-three percent of the respondents were African-Americans.

Reverend Jesse Jackson claimed that racism was a factor in the slow government response, stating that "many black people feel that their race, their property conditions and their voting patterns have been a factor in the response."
When some people, left behind in the evacuation, began taking advantage of the abandoned stores, it was claimed by some that the media referred to African Americans as "looters" while white victims were labeled "survivors" and "victims".

On September 2, 2005, during a benefit concert for Hurricane Katrina relief on NBC, A Concert for Hurricane Relief, rapper Kanye West was a featured speaker. Controversy arose when West was presenting, as he deviated from the prepared script, criticizing the slow federal response. Actor Mike Myers, with whom West was paired to present, spoke next and continued to read the script. Once it was West's turn to speak again, he said "George Bush doesn't care about black people." At this point, telethon producer Rick Kaplan cut off the microphone and then cut away to Chris Tucker, who was unaware of the cut for a few seconds. Still, West's comment reached much of the United States. West also went on to say that America has been set to help the poor as slow as possible.
A video clip of this scenario, and supported by facts on the abandonment of the poor to their fate by the government, facts that had prompted Kanye West's anger and concern, is featured in a Vox article by German Lopez (Aug 28, 2015) ten years on from Hurricane Katrina hitting New Orleans.

Vox has compiled a webpage of seven essential facts and No. 3 was:
Katrina caused the biggest evacuation in US history, but many people couldn't afford to leave 
Kanye West says Bush doesn't care about Black People
About 1.3 million people left southeast Louisiana and 400,000 evacuated from New Orleans itself, culminating in one of the largest evacuations in US history, according to Jed Horne in the Washington Post. But as the New York Times's David Gonzalez reported as the storm battered the region, tens of thousands of people remained in the city — not necessarily by choice, but rather because they were too poor to afford a car or bus fare to leave.

It was common during and after Katrina to hear people asking why everyone didn't just leave New Orleans. But the truth is that many of them couldn't leave — as the Times reported — and the government did little to nothing to help them get out of Katrina's path before the hurricane hit.

This is one of the reasons Kanye West infamously said that "George Bush doesn't care about black people." Local, state, and federal officials were simply way too slow in helping largely poor, black populations, leaving them stranded to bear the brunt of the storm. And while New Orleans has reportedly made improvements in its evacuation plans since 2005, the inadequate response at the time of Katrina led to more deaths and pain that could have otherwise been avoided — particularly among impoverished, minority communities.

"Is this what the pioneers of the Civil Rights Movement fought to achieve, a society where many black people are as trapped and isolated by their poverty as they were by segregation laws?" Mark Naison, a white professor of African-American studies at Fordham University, wrote at the time. "If September 11 showed the power of a nation united in response to a devastating attack, Hurricane Katrina reveals the fault lines of a region and a nation rent by profound social divisions."
Fact No. 7 . . .
. . . is that New Orleans is now prepared to meet the challenge of a One in a Hundred Year Storm, but Hurricane Katrina was a One in Four Hundred Year extreme weather event.
Q. With global heating, is this the "new normal"?

It begins with Beyoncé lying on top of a Ford Crown Victoria Police Interceptor in a flooded street. During the end, a man can be seen holding a newspaper with Martin Luther King Jr.'s face on it with the title "The Truth". Later on, a young hooded boy dances in front of a line of police officers with their hands up before the video cuts to a graffitied wall with the words "stop shooting us" tagged on it.
The quote above is taken from the Wikipedia article on the accompanying music video for Beyoncé's release of the song "Formation" on February 6, 2016.


Beyoncé's Formation reclaims black America's narrative from the margins
Syreeta McFadden's Opinion piece for the Guardian (Mon 8 Feb 2016) is referenced several times in the Wikipedia article on Beyoncé's song and video "Formation".
The singer’s newest video is an inherently political and a deeply personal look at the black and queer bodies who have most often borne the brunt of our politics
 
On Saturday night, I sent a group text to several friends as we were on our way to meet for drinks. It consisted solely of a screen capture from Beyoncé’s new video for Formation and the words: “We must discuss this shit.”

Everyone knew exactly what I was talking about.

My best friend’s answer: “Did Beyoncé just make a statement about the black feminine body defeating the police state?”

Formation is both provocation and pleasure; inherently political and a deeply personal look at the black and queer bodies who have most often borne the brunt of our politics. All shapes and shades of black bodies are signaled here and move – dare we say “forward”? – in formation. Even the song’s title is subversive, winking at how we have constructed our identities from that which we were even allowed to call our own.

Formation isn’t Beyoncé’s first foray into the political but, in her latest collaboration with director Melinda Matouskas (who has directed eight of Beyoncé’s videos since 2007), Beyonce’s narrative and aesthetic comes in sharp relief. The video articulates multiple identities of southern blackness, while social critiques of the nation’s crimes against its darker skinned citizens acts as ballast.

Bookended by the flooding of the city of New Orleans after 2005’s Hurricane Katrina – and by which the city’s black residents were disproportionately affected – and a black child in a hoodie dancing opposite a police line and a quick cut to graffiti words “stop shooting us”, Beyoncé morphs into several archetypical southern black women.

The potency of Formation doesn’t come from its overt politics: it comes from the juxtaposition of lyric with the images, which organically present black humanity in ways we’ve haven’t seen frequently represented in popular art or culture.

There is in it a litany of blackness, of what we love, of our diverse selves, of our intersections – class, sexuality and gender – woven so neatly in the visual that the lyrics and music seem secondary, but are intrinsic to communicating this celebration of southern fried blackness. Even Beyoncé retells her own history and by extension, marries the contradictions of black identity in her declaration: “My daddy Alabama, Mama Louisiana. You mix that Negro with that Creole make a Texas bama” – an insult that, perhaps, only Beyoncé was ever capable of reclaiming.

Beyoncé’s use of “slay” is an additional embrace of the language of the black queer community and, in its repetition, it’s an incantation that can slay haters, slay patriarchy, to slay white supremacy.

Formation is a protest and celebration, concerned with and in love with the very particular paradox of the black American identity and experience. The images, which are deeply layered and particular to a black Southern vernacular and aesthetic, beg to be catalogued: Creole and Black American, Mardi Gras Indian, crawfish, Black cowboys, wig shops, socks and slippers, corsets and parasols, parades, high school basketball, step team moves, bounce queens Big Freedia and Messy Mya, cotillions, “twirl on dem haters”, braids, “bama”, black spirituality (church and hoodoo, maybe even a nod to Mami Wata), black mama side eyes, drawls, Blue Ivy black girl magic fierceness.

It’s old and new south; it’s dark and dirty south; it’s Chantilly lace and denim jacket south; it’s baby afro, baby hair and pink and purple wig south; it’s second line and pentecostal holy ghost south; it’s southern gothic and bounce south; it’s my granny, grandaddy, auntie, uncle, cousin south. It is us, it’s for us, and it’s not concerned if white people understand.

I can’t help, while watching and re-watching Formation, being reminded of this Nina Simone interview, in which she defines her role as an artist aligned with activism and black cultural aesthetics.
I think what you are trying to ask is why am I so insistent in giving out to them that blackness that black power that black … pushing them to identify with black culture. I think that’s what you’re asking … my job is to somehow make them curious enough or persuade them by hook or crook to get more aware of themselves and where they came from and what they are into and what is already there and just to bring it out. This is what compels me to compel them.

In this spirit, Formation compels its viewers to acknowledge the beautiful complexity of history, culture and customs, with levity and passion. It compels us to reclaim the black American narrative from its margin and make it center.

These representations of black life are critical renderings of the range of our humanity, and they seem so unique here – as they did in Kendrick Lamar’s offering last year – because we are so underrepresented in our beauty and diversity in television and film. (One notable exception is the documentary The B.E.A.T., from which Beyoncé and director Matouskas sourced some of their New Orleans footage with permission of the Sundance Channel, which owns the rights. They later thanked the directors publicly and noted that they were credited appropriately for the footage.)

But the politics were not an afterthought for Beyoncé: the date of the release of this work can’t be ignored, given that February is Black History Month in the US. Mardi Gras festivities in New Orleans have already begun. More to the point, last Friday would have been the 21st birthday of Trayvon Martin, killed by George Zimmerman in 2012 in a shooting widely attributed to racism; Sunday would have been the 29th birthday of Sandra Bland, whose alleged suicide in prison in 2015 after a brutal and poorly justified arrest captured on camera led to unsuccessful calls for further investigation into her death.

Both were considered formative moments for the women and gay men who have been at the forefront of Black Lives Matter and, more broadly, the movement for black lives.

Formation as a work of popular art is clever in its acknowledgment of the labor of black women as soldiers and leaders in social justice movements, even though popular culture has been more interested in the role of men and of male performing artists – like Usher, Kendrick Lamar, Common, Pharell, J Cole, and John Legend, Run The Jewels – in the wider conversation and activism around the crisis of police violence and black community.

But the image of black women synchronizing their bodies in dance juxtaposed with the lyric, “You know you that bitch when you cause all this conversation” is signifier for many of black women who have felt ignored and marginalized in their own movement. Beyoncé’s almost exclusive use of black women and black queer bodies in Formation underscores the gender inequity of the visibility of black lives lost to violence (and the movement dedicated to eradicating it), in which the pain and death to which black women and black queer and transgender people are subjected, become invisible and subordinate to black cisgender men and the white gaze.

Formation exists in a canon of black protest art and may now formally align Beyoncé with other black artists who have supported and boosted social justice movements by black Americans. (Tidal, the music service owned by Beyoncé’s husband Jay Z that currently has the exclusive sales rights to Formation, announced a $1.5m donation to Black Lives Matter and related charities on Friday.)

Beyoncé’s work shows that revolution can be beautiful; protest and celebration are not contradictions when imagining a black future that isn’t overrun by images of black pain and death. In the video’s concluding sequence, the black child in a hoodie “gets light”; his dance is a challenge to, but still in dialogue with, a police line in formation. His dance concludes as he raises his hands up in surrender; the police line raises their hands up in response. (Should the message be unclear, a quick cut to a graffiti wall with the words “stop shooting us”.)

And then, tantamount to a sacrifice, Beyoncé, using the weight of her own body, sinks a police patrol car into the flood waters to birth a new future. Women and children can bring that future to pass, it says; maybe, it’s saying, only women and children can.
Emily Epstein Landau, author of Spectacular Wickedness: Sex, Race, and Memory in Storyville, New Orleans, responds to Beyoncé's, "Formation", making a connection to her research on Lulu White, octoroon, brothel owner and businesswoman.
The Notorious, Mixed-Race New Orleans Madam Who Turned Her Identity Into a Brand . . .

. . . is an article by Emily Epstein Landau (October 1, 2018) referencing
Beyoncé's, "Formation". She writes:

In 2016, music and pop-culture idol Beyoncé released the album Lemonade to rapturous reviews. As a historian of New Orleans, I was especially intrigued by the video for one of the songs on the album, “Formation.” The video includes iconic images of the city: Katrina flood waters and post-flood graffiti; “second-lines”; marching bands; crawfish eating; and even a dancing “Mardi Gras Indian.” As we move through various neighborhoods, we visit a church service, a St. Charles Avenue mansion, and, in what appears to be a move through time into the city’s past, a bordello.

The bordello scenes in the video recall famous photographs from Storyville, New Orleans’s notorious red-light district, which flourished from 1898 to 1917. And while the song is clearly about Beyoncé, the persona she embodies in it resonates with an earlier iconic black female: Lulu White, the self-styled “Diamond Queen” of New Orleans’s turn-of-the-century demimonde. Knowing Lulu White’s story helps us see Beyoncé’s artistic creation within a complex historical framework, for in it are woven together threads of American history: stories of sexual slavery and prostitution; revolution and exile; and, not least, capitalism and the American Dream.
Learning from history . . .

The Trump "mashup"
The Oxford English Dictionary cites the play The Octoroon with the earliest record of the word "mashup" with the quote: "He don't understand; he speaks a mash up of Indian, French, and Mexican." The playwright Boucicault's manuscript actually reads "Indian, French and 'Merican." The last word, an important colloquialism, was misread by the typesetter of the play. 

The play by Dion Boucicault that opened in 1859 at The Winter Garden Theatre, New York City was extremely popular, and kept running continuously for years by seven road companies. Among antebellum melodramas, it was considered second in popularity only to Uncle Tom's Cabin (1852).

Boucicault adapted the play from the novel The Quadroon by Thomas Mayne Reid (1856). It concerns the residents of a Louisiana plantation called Terrebonne, and sparked debates about the abolition of slavery and the role of theatre in politics. 
Another president, another hurricane . . .
"He don't give a damn . . ." 
. . . another man-made disaster in the face of climate change!
This video clip shows Russel L. Honoré commenting on the government response to the devastation caused by Hurricane Maria to the United States Territory of Puerto Rico. This is followed by commentary by the panel of The View that raised questions about the government response to the crisis. 
  
Russel L. Honoré; born 1947, is a retired lieutenant general who served as the 33rd commanding general of the U.S. First Army at Fort Gillem, Georgia. He is best known for serving as commander of Joint Task Force Katrina responsible for coordinating military relief efforts for Hurricane Katrina - affected areas across the Gulf Coast. He served until his retirement from the Army on January 11, 2008. Honoré is sometimes known as "The Ragin' Cajun".

On August 31, 2005, Honoré was designated commander of Joint Task Force Katrina responsible for coordinating military relief efforts for Hurricane Katrina-affected areas across the Gulf Coast. Honoré's arrival in New Orleans came after what was widely believed to be a poor performance by the state and local agencies and the Federal Emergency Management Agency (FEMA) and its director Michael D. Brown

He gained media celebrity and accolades for his apparent turning around of the situation in the city as well as his gruff management style which contrasted with what many felt were the empty platitudes of civilian officials. In one widely played clip, Honoré was seen on the streets of the city, barking orders to subordinates and, in one case, berating a soldier who was displaying a weapon, telling him "We're on a rescue mission, damn it!" 

New Orleans Mayor Ray Nagin was quoted on a radio interview September 1, 2005, saying: 

"Now, I will tell you this—and I give the president some credit on this—he sent one John Wayne dude down here that can get some stuff done, and his name is Gen. Honoré. And he came off the doggone chopper, and he started cussing and people started moving. And he's getting some stuff done." 

On September 20, 2005, at a press conference with Nagin on Hurricane Rita, Honoré made headlines nationwide when he told a reporter not to get "stuck on stupid" in reference to a question about the government response to Hurricane Katrina.

After Hurricane Maria devastated Puerto Rico in 2017, Honoré described the situation in the U.S. territory as being "like a war" and said it was significantly worse than New Orleans in the aftermath of Katrina. 

Honoré criticized the Trump administration's response to the crisis, saying it demanded a greater and more rapid response, with a larger commitment of U.S. troops to provide emergency assistance, and told CNN anchor Erin Burnett

"The president has shown again he don't give a damn about poor people. He doesn't give a damn about people of color."

Throughout its run, The View has had 22 permanent co-hosts of varying characteristics and ideologies, with the number of contracted permanent co-hosts ranging between four and eight women per season. The original panel comprised Barbara Walters, broadcast journalist Meredith Vieira, lawyer Star Jones, television host Debbie Matenopoulos, and comedian Joy Behar, while the current lineup consists of Behar, entertainer Whoopi Goldberg, lawyer Sunny Hostin, and television personality Meghan McCain. In addition, the show often makes use of male and female guest panelists, including television personality Ana Navarro, who came aboard as a weekly guest co-host in season 22.

The View has won 31 Daytime Emmy Awards, including Outstanding Talk Show, Outstanding Informative Talk Show, and Outstanding Talk Show Host. The show has received praise from the Associated Press, Entertainment Weekly, the Los Angeles Times, Slate, as well as The New York Times, which deemed it "the most important political TV show in America". Beginning in its tenth season, the series became subject to on-air controversies and media criticism due to frequent changes in its panel of co-hosts. It was transferred from the helm of ABC's entertainment division to that of ABC News in 2014 following a decline in ratings. Two years later, the series saw viewership growth, averaging 2.5 million viewers by 2020.
This Tweet features in an article for Vox by Matthew Yglesias (Oct 9, 2017), under the Headline and subheading:
The Jones Act, the obscure 1920 shipping regulation strangling Puerto Rico, explained
Protectionism and exploitation at its worst.
Matthew Yglesias writes:
The island of Puerto Rico is devastated, with millions lacking power, infrastructure destroyed, homes damaged, and an entire year’s worth of agricultural output essentially ruined. Like any disaster-struck place, it will be in need of supplies brought it from elsewhere in the country.

But getting goods from the US mainland to Puerto Rico is much more expensive than sending them to Texas or even to other Caribbean islands as a result of a century-old man-made disaster that’s been crippling the island’s economy for a long time.

Meet the Jones Act, an obscure 1920 regulation that requires that goods shipped from one American port to another be transported on a ship that is American-built, American-owned, and crewed by US citizens or permanent residents.

For most Americans, this isn’t a big deal — it enriches a small number of American shipowners while introducing some weird distortions into the overall pattern of economic activity in the United States.

For the residents of the island of Puerto Rico, though, the Jones Act is huge. Basic shipments of goods from the island to the US mainland, and vice versa, must be conducted via expensive protected ships rather than exposing them to global competition. That makes everything Puerto Ricans buy unnecessarily expensive relative to goods purchased on either the US mainland or other Caribbean islands, and drives up the cost of living on the island overall.

A temporary waiver the Trump administration granted under pressure after the hurricane struck has expired with no apparent continuation on the agenda.
But a short-term waiver doesn’t address the law’s real damage to the island. Puerto Rico faces a staggering array of long-term economic challenges beyond the hurricane, and the Jones Act serves as a major impediment to addressing any of them. If it can’t be simply repealed altogether, exempting Puerto Rico from the law would be an easy way for Congress to boost the island’s fortunes at no cost to the average American.
The Jones Act is a 97-year-old law protecting American shipbuilding and is the shorthand name for the Merchant Marine Act of 1920, whose primary author was Sen. Wesley Jones of Washington. The goal of the legislation was to ensure the existence of a thriving US-owned commercial shipping industry, a topic that had become salient during World War I, when blockades underscored the close link between maritime commerce and warfare.

One section of the law requires goods transported by ship from one US destination to another to be carried on US-flagged ships that were constructed in the United States, owned by US citizens, and crewed by US legal permanent residents and citizens. The idea, basically, is that in case of war there should always be a big supply of American-made, American-owned, American-crewed ships that could be counted on (and, if necessary, conscripted) to supply American commerce even in hazardous conditions.

One could certainly imagine an alternative universe in which the law was a smashing success. Protectionism for US merchant shipbuilding and US-owned and US-crewed merchant ships could have nurtured an infant industry and turned the United States into a globally competitive maritime powerhouse.

That’s not what happened. Instead, global oceanic shipbuilding is dominated by Asian countries, with China, South Korea, Japan, the Philippines, and Taiwan dwarfing American production. US output of merchant ships is even fairly tiny compared to combined European production. According to Daniel Pearson of the Cato Institute, US merchant vessels carry about 2 percent of the world’s cargo, far down from the 25 percent they carried 60 years ago.

Rather than nurturing the creation of a global shipping powerhouse, protectionism for US shipbuilders has allowed the industry to survive despite being laughably uncompetitive in global terms. In most cases, that works out okay in practice because the United States has one of the world’s most robust networks of freight rail. The problem is that when disaster strikes, it would often be useful to mobilize boats quickly. And of course you can’t ship anything by train to Puerto Rico.
For the contemporary world's oldest colony the US came up with "Operation Bootstrap"! You couldn't make it up!
Operation Bootstrap, an operation of the United States and the Puerto Rico Economic Development Administration, began in 1942 and was put in place to transform Puerto Rico into an industrial colony. Government owned factories were built to shift development to industrial factory work and, eventually, education of the factory work force.
Operation Bootstrap (Spanish: Operación Manos a la Obra - Hands on Work) was the name given to a series of projects which transformed the economy of Puerto Rico into an industrial and, according to plan, a "developed economy". The federal government of the United States together with what is known today as the Puerto Rico Industrial Development Company set forth a series of ambitious economical projects that evolved Puerto Rico into an industrial high-income territory.

The island's traditional economy was based around sugarcane plantations. By the middle of the twentieth century it remained one of the poorest in the Caribbean. In May 1947, the Puerto Rican legislature passed the Industrial Incentives Act eliminating all corporate taxes, to encourage U.S. investment in industry. This was proposed by Senator (and future governor) Luis Muñoz Marín of the Popular Democratic Party, and became known as Operation Bootstrap, and based on the 1930s New Deal economic relief reforms and investment in infrastructure. This was provided for by programmes such as the Puerto Rico Reconstruction Administration, that intended to move Puerto Rico away from its agrarian system and into an industrial economy. The government's Administration of Economic Development — today known as the Puerto Rico Industrial Development Company (PRIDCO) — encouraged the establishment of factories.
The US government in Puerto Rico created attractive conditions for US capitalists to invest in the capitalizing of projects by providing labour at costs well below those on the mainland, along with direct access to US markets, but without import duties. On top of this, all profits could be transferred to the mainland free from federal taxation. 
The Administration of Economic Development encouraged the investment of external capital, the importing of raw materials, and the exporting of the finished products to the mainland, with tax exemptions and differential rental rates offered for industrial facilities. The result was that Puerto Rico's economy changed the nature of work across the board, shifting the majority of the population's labour from agriculture to manufacturing and tourism. 
In a short period of time this manufacturing sector transformed the economy from those traditional labour-intensive industries, of food and tobacco production, leather and clothing, to more capital-intensive industries, such as pharmaceuticals, chemicals, machinery, and electronics. 
A rural agricultural society was transformed into an industrial working class.
Although initially touted as an economic miracle, by the 1960s, Operation Bootstrap was increasingly hampered by a growing unemployment problem. As living standards and wages in Puerto Rico rose, manpower-intensive industries faced competition from outside the United States. 
An American racist and colonial mindset resulted in Puerto Rican women and reproductive issues ending up in the "front line"!
This article from Women in World History tells the story:
When American forces occupied the island in 1898, the Puerto Rican economy and politics underwent a shift that had implications for labor relations. For instance, the introduction of large-scale agriculture produced opportunities for some women to work as cigar strippers. Indeed, women’s participation in this new economic order gave them the same economic opportunities as men. As changes in the economy took place, women joined their male partners in the struggle to improve working conditions. Thus, women were active participants in and key members of the labor movement from the very beginning. However, as their role in the economy became more prominent, working women became targets of gender and racial discrimination, and their struggle in many instances was interwoven with issues of race, gender, and class. Viewing women solely as workers in the agricultural economy, some industrial managers attempted to limit and control Puerto Rican women’s reproductive choices in order to increase the efficiency of the economic system.

Industrialization and Women in the Workforce
Traditionally, agriculture formed the base of the Puerto Rican economy. Workers from the tobacco and sugar plantations formed gremios, or guilds, which are considered the first attempts at labor organizations. American control brought large corporations and new modes of factory production, which displaced the traditional workshops settings and artisanal apprenticeships. A focus on mass production undermined the quality-oriented mode of production of the artisans.

In 1929, the Wall Street stock market crash precipitated what came to be known as the Great Depression in the United States. Not isolated to the United States, the stock market crash was part and parcel of a worldwide economic downturn. The depression had devastating effects on the island, creating widespread hunger and unemployment that lasted for over a decade. Many banks could not continue to operate. Farmers fell into bankruptcy. As part of his New Deal efforts to restore economic stability, President Roosevelt created the Puerto Rican Reconstruction Administration (PRRA), which provided for agricultural development, public works, and electrification of the island. This improved infrastructure helped to bolster the Puerto Rican economic situation and relieve some of the devastation from the depression.

Adopting the slogan “Bread, Land, and Liberty,” in 1938 the Partido Popular Democrático (Democratic Popular Party) was founded under the leadership of Luis Muñoz Marín. In the insular government, Muñoz Marín had served as a member of the local Congress, as the President of the Puerto Rican senate, and eventually as the first elected Governor of Puerto Rico. In its beginnings the Partido Popular Democrático favored independence for the island. In addition, Muñoz Marín both supported the increased industrialization that American companies were bringing to the Puerto Rico and was an advocate for workers’ rights.

During this increasing industrialization, women took on a more prominent role in the new economy. The demands in the needle industry forced women to leave their homes and work in factories. They worked as seamstresses for low wages. In 1934 Eleanor Roosevelt visited the island and wrote about women’s work in the needle industry in her column “Mrs. Roosevelt’s Page” for the magazine Woman’s Home Companion. Roosevelt also criticized the employment system of those factories. She observed that seamstresses were paid “two dollars a dozen” for making handkerchief that took them “two weeks.”

These types of demands and labor exploitation made women realize that they were as oppressed as men. Thus, it is not surprising that women joined the labor movement along with their male partners as a way to resist economic exploitation.

Organizing
Changes in the Puerto Rican economy altered the relationship between the worker and the economy. The result was that the artisan class developed a more defensive attitude, not only toward industrial capitalism, but also toward the political influences that American companies exercised on the island.

The labor movement in Puerto Rico organized as a political party and adopted socialist ideology to balance the power of U.S. corporate capitalism. In addition, after the United States took control of the island, workers saw an opportunity to join labor organizations such as the American Federation of Labor. Workers’ attempts to combat socioeconomic oppression were facilitated by their socialist critique of the working environment.

Organized workers used newsletters and newspapers as tools of information and empowerment. Headlines and announcements from union newspapers demonstrate that the local labor movement considered women’s issues important. Collectively, this focus on women’s issues allowed female workers from around the island to feel united, and like they had a stake in the labor movement, and the political party that represented them.

It is important to point out here that the union recognized women not only as factory workers, but also as equal partners in the struggle for fair treatment—a struggle that occasionally brought them into conflict with the police. Women strikers, however, did not always behave within the bounds of traditional gender norms. There were instances in which some women strikers “went out of control” and were put in jail.

Reproductive Issues
Though female workers were active participants in the labor movement alongside male workers, primarily women bore the brunt of the coercive and discriminatory reproductive restrictions championed by American industrialists and social workers. From their initial arrival on the island, the Americans were concerned about “public order.” Often this alarm was articulated in terms of a concern about “overpopulation” - the average Puerto Rican family included five to six persons - and a perceived lack of self-control on the part of working class and poor Puerto Ricans.

In 1917, with the support of American industrialists, scientists, social workers, and middle- and upper-class Puerto Ricans influenced by neo-Malthusian arguments supporting widespread birth control, public health officials decided to put into effect a plan to control the birth rate on the island. This policy, though seemingly based on scientific principles, was based on a set of stereotypes about Puerto Ricans that characterized them as racially inferior and unable to make their own decisions about their fertility. It is in this way that the insular government developed public policy to control what they labeled as a “culture of poverty.” In this regard, the fate of the Puerto Rican women was in the hands of American scientists and demographers and local government officials. By distinguishing between superior and inferior persons in their policy of population control, these officials implemented policies based on eugenic assumptions that served the needs of U.S. business interests by disciplining the reproductive habits of their workforce.
Eugenics
Americans’ views about the connection between Puerto Rican racial inferiority and what they saw as an out-of-control birth rate reinforced the assumptions that justified the Americans’ presence on the island. One might agree with Nancy Stepan’s book The Hour of Eugenics, in which she observes that, for an imperial power like the United States, “Eugenics, was more than a set of national programs embedded in national debates; it was also part of international relations.” Thus, the attempt to discipline the reproductive habits of Puerto Rican women was not unusual, since they were colonial subjects and the population policy was part of the colonial experiment.

Operation Bootstrap
In 1948, Puerto Rico elected its first governor. Luis Muñoz Marín had campaigned for economic reforms and structural changes in the political relationship between the Unied States and islanders. Muñoz and other political leaders considered agricultural countries to be underdeveloped and industrial countries developed; manufacturing was seen as the means by which Puerto Rico could develop economically.

As a result, the government launched an industrialization program known as “Operation Bootstrap,” which focused primary on inviting American companies to invest on the island. These companies would receive incentives, such as tax exemptions and infrastructural assistance, in return for providing jobs for the local population. Under “Operation Bootstrap,” the island was to become industrialized by providing labor locally, inviting investment of external capital, importing the raw materials, and exporting the finished products to the United States market.

Due to the nature of the American companies that participated in the plan, women were recruited to work these new jobs, such as those in the garment industry. In these jobs, women often functioned as the main or co-provider in their households and continued to confound the myth of the male breadwinner. Additionally, women continued to participate in the labor movement, protesting for equal wages and better treatment.

During “Operation Bootstrap,” the question of the Puerto Rican birthrate remained a public policy issue. Governor Muñoz feared that the plan for industrial modernization might be in jeopardy if he did not take steps to deal with the “overpopulation” problem. Thus, the administration set about educating the population about birth control, and encouraging surgical sterilization. In other instances, the local government fostered the migration of Puerto Ricans to the U.S. mainland and overseas possessions such as Hawaii. These measures were highly criticized by civil rights groups and the Catholic Church, who perceived this campaign as an unwarranted attempt to restrict individuals’ reproductive rights. In addition, candidates who were challenging the sitting government denounced the discriminatory nature of these public policies.

Governor Muñoz Marin and his cabinet were concerned about the possible electoral repercussions of coercive sterilization policies. Luis A. Ferré, who was Muñoz’s political opponent, alleged that some women were being hired on the condition that they undergo surgical sterilization. Ferré maintained that his allegations were informed by women from one of the factories in the town of Cayey. Muñoz’s advisors suggested that discrimination against women in the work environment on the grounds that they were not sterilized would be a political blow to the Governor’s reelection efforts. As a result, Muñoz ordered a complete investigation, after which he was forced to intervene and reevaluate the role of the government in birth control policies.

Conclusion
Official documents, census data, newspaper articles, and photographs from this time period in Puerto Rico’s history shed light on the complicated roles women have played in Puerto Rican society. American companies and government officials recognized that working women were necessary for increased industrialization. Women’s participation in these new industries opened up the opportunity for them to become household breadwinners and participate in the labor movement alongside men. This participation in industry and in the labor movement, however, also brought with it a slew of government regulations about women’s health, primarily birth control and forced sterilization, often based on eugenic assumptions about the racial inferiority of Puerto Rican women. Thus, it is important to continue to reflect upon the profound ways in which gender influenced the relationship between these workers and the economic system.
 
The impact of industrialization upon Puerto Rican culture and society
The growth of Puerto Rican industry changed the outlook on familial social structure. Traditionally, the Puerto Rican family was a large, three generation family living in the same home or as neighbors. The family was built around a set of parents or a single mother, and the family was sustained through multiple wage earning jobs. As the industrial revolution progressed, women found factory jobs more easily than men, becoming the bread winners. The Puerto Rican family structure changed to a small, nuclear matriarchy consisting of only immediate family members.
The United States ideal of small, patriarchal families also impacted the contemporary Puerto Rican family structure in policy. In an attempt to demolish poverty in shantytowns, the Puerto Rico Housing Authority established public housing by example of United States policy. The public housing further disenfranchised the large multi-generation family by dividing nuclear families into public, single-family dwellings. Links to extended family are still an important aspect to the culture of Puerto Rican family structure, however they have been significantly weakened.
The relationship between the United States and Puerto Rico makes national identity complicated. Puerto Ricans maintain United States citizenship while aligning with a uniquely Puerto Rican heritage. Although the island's culture is not heterogeneous, Puerto Rico establishes several binary oppositions to the United States: 
American identity versus Puerto Rican identity; 
English language versus Spanish language; 
Protestant versus Catholic; 
and Anglo-Saxon heritage versus Hispanic heritage.
America - from West Side Story



Beware "race science" . . .
Angela Saini, author of Superior: The Return of Race Science, writes on Why race science is on the rise again.
The image used for this Guardian article features Polish nationalists at a 2017 march in Warsaw, which was attended by far-right figures including Tommy Robinson and Roberto Fiore.
Being BAME in a "hostile environment"!
What does BAME mean?
Yes! Even the SUN gets it . . .
In the midst of the Covid-19 pandemic attitudes to the migrants who are key workers some attitudes have shifted, perhaps only temporarily, because for many years right wing politicians, supported by some national media platforms, have found that immigration and immigrants are a useful scapegoat for feelings of loss and social dissatisfaction, because of the continuing existence of systemic and structural racism in sections of UK culture and society.

How migrants became the scapegoats of contemporary mainstream politics

The UK government proudly calls the aim of its immigration policy to be the creation of a “hostile environment,” while refugees drown in the Mediterranean and Britain votes to leave the EU against claims that “swarms”of migrants are entering Britain. Meanwhile, study after study confirms that immigration is not damaging the UK’s economy, nor putting a strain on public services, but immigration is blamed for all of Britain’s ills.

Yet concerns about immigration are deemed “legitimate” across the political spectrum, with few exceptions. How did we get here?

Maya Goodfellow offers a compelling answer. Through interviews with leading policy-makers, asylum seekers, and immigration lawyers, Goodfellow illuminates the dark underbelly of contemporary immigration policies. A nuanced analysis of the UK’s immigration policy from the 1960s onwards, Hostile Environment links immigration policy and the rhetoric of both Labour and Tory governments to the UK’s colonial past and its imperialist present. Goodfellow shows that distinct forms of racism and dehumanisation directly resulted from immigration policy, and reminds us of the human cost of concessions to anti-immigration politics.
David Lammy (MP Labour) reviews Maya Goodfellow's book 'Hostile Environment' for the Guardian (Wed 4 Dec 2019).
Nora arrived from north-east Africa in 2001 when she was 17. Desperate for their daughter to escape civil war, Nora’s family managed to sell enough of their valuables to buy her a one-way ticket to the UK. Not long after her 18th birthday, her application for asylum was rejected for the fifth time. Without a work permit, any form of identification or state support, she became homeless for the first 10 years of her adult life. About five years in, she realised that her only means of survival was to return to the place that had jeopardised it in the first place. But when Nora arrived at the embassy, she was told that she could not return without the relevant asylum status proving where she came from – the very status she had been denied. It turned out that the Home Office was not telling her to “go home”. They were telling Nora to disappear, condemning her to a life of statelessness and invisibility.

This is just one of many raw experiences that Maya Goodfellow sensitively navigates with explosive effect in Hostile Environment. From Winston Churchill to Windrush and Tony Blair to Brexit, this archival critique and collection of interviews is one of the most profound deconstructions of UK immigration policy that exists.

Goodfellow teaches us that racism does not just arise out of thin air. When a country gets high on the global enslavement of black and brown people, the least you can expect is a stinking colonial hangover. Clement Attlee signed the 1948 British Nationality Act; nationals of British colonies were given the right to live in Britain as citizens. Hailed by many as an end to the colonial treatment of labourers, in reality this was a desperate attempt to hold together what remained of the British empire. Citizenship was extended primarily as a means of facilitating free movement between “old” Commonwealth countries – the “White Dominions” such as Australia, New Zealand and Canada. The arrival of 500,000 non-white people from the Caribbean was merely an unintended consequence.

Successive governments did everything they could to maintain Britain’s image as a global Commonwealth power without jeopardising racial purity. The 1962 and 1968 Commonwealth Immigrants Acts significantly limited their right or entry, effectively reducing those already living here to second-class citizens. And in 1971, Commonwealth citizens lost their automatic right to remain in the UK. Most significantly, the burden of proof of this status was shifted entirely on to the individual, even though it was the government who had called it into question.

By the time Theresa May said she wanted to make Britain a “hostile environment” for those whom she called “illegal migrants”, the legislation was already in place. Goodfellow forcefully dismantles the idea that the Windrush scandal was a deviance from the norm. Rather, it was the latest chapter in a longstanding quest to “Keep England White”. In explaining how the history of modern Britain is, in part, a history of white supremacy, her book is both brave and powerful.

There’s no greater proof of this bravery than the breadth of the author’s critique. Not only does Goodfellow condemn years of anti-immigrant rhetoric, she also targets the dominant discourse that has not done enough to resist it. She does this by spelling out a conundrum – and it’s done with incredible clarity. She acknowledges that progressive actors have made a compelling economic case for immigration. In doing so, they have valiantly challenged myths that seek to scapegoat immigrants for home-grown problems, the kind of falsehoods that contributed to the Brexit referendum result in 2016. However, she also delivers an urgent caution: we cannot allow immigrants’ worth to be defined by their economic contribution. That’s because, first, this does nothing to challenge the kind of system they are contributing to. If we spoke out against the way in which multinational companies seek out the most exploitable workforce, we could more powerfully resist the fable that immigrants are the ones driving down wages. Goodfellow’s writing is a rallying cry for working-class communities and people of colour to fight together against injustice, defying those who would rather they fought against each other.

Second, our political responsibility towards migrants is not dependent on fiscal value. Migrants, refugees and asylum seekers are not commodities to be imported; they are people with human rights. Goodfellow has a talent for harvesting outrage into action; she lays the foundation for an immigration policy that’s grounded in humanity – an immigration system that legislates for the needs of migrants, not just British citizens. An immigration system; that shows compassion for human beings in need, rather than illegalising their existence; that scrutinises our borders, rather than demonising those who are desperate enough to cross them.

The concluding chapter, a radical manifesto, foreshadows many of the proposals that came out of this year’s Labour party conference. Ending the hostile environment, closing down detention centres, extending the vote to migrants, reforming our curriculum and increasing legal aid. And it’s only because of such people as Goodfellow that these proposals made it into this year’s Labour manifesto – that policymakers are beginning to put humanity at the centre of immigration reform. She has proved herself a champion of migrant justice; we would be foolish not to keep listening.

What went so terribly wrong?
In answer to this question Jamie Grierson Home affairs correspondent for the Guardian reports (Mon 27 Aug 2018) on how:

Senior figures who worked within and alongside Home Office – including former immigration enforcement chiefs – explain
To read this "anatomy" the link to the Guardian article is here.
Q. Are you BAME?
A. Don't you think referring to a bureaucratic collective term for minority ethnic groups as something anyone might identify with is somewhat absurd?
When it comes to the complexities involved in processes of self-identification then you have got to listen to the artists not the bureaucrats and politicians. And you cannot do better than listen to Eminem as he explores his own journey and being "WHITE"!
White America . . .
"White America" is a political hip hop song by rapper Eminem released in 2002 from his fourth studio album, The Eminem Show. The song was also performed at the MTV Video Music Awards. It is the first full song on the album, and describes Eminem's rise to prominence and allegations from parents and politicians that he had influenced criminal behavior on young white Americans.

"White America" is segued into by the opening skit "Curtains Up" on The Eminem Show, which involves Eminem walking up to a microphone to make a speech. It addresses the controversy stemming from Eminem's lyrical content, and impacting white youth, expressed with lines such as: "I speak to suburban kids, who otherwise would've never knew these words exist." "Eric" and "Erica" are representations of any white youth. Eminem also expressed his belief that his music is controversial only because it appeals to white kids, with lines such as, "Hip-hop was never a problem in Harlem, only in Boston / after it bothered the fathers of daughters starting to blossom."

Eminem also states his belief that his skin color helped with his popularity, and in effect introduced white fans to his producer, Dr. Dre, although earlier in his career it had prevented him from being taken seriously. The song also discusses the freedom of speech of the US Constitution through attacks on the then-Second Lady of the United States Lynne Cheney and her predecessor Tipper Gore, who questioned Eminem's legitimacy to freedom of speech and introduced the Parental Advisory sticker respectively.
"White America" had an animated music video that featured imagery related to the lyrics, including Eminem on a wanted poster and later being lynched while the US Constitution is torn up in the foreground.


White America!
I could be one of your kids
White America!
Little Eric looks just like this
White America!
Erica loves my shit
I go to T-R-L, look how many hugs I get
White America!
I Could be one of your kids
White America!
Little Eric looks just like this
White America!
Erica loves my shit
I go to T-R-L, look how many hugs I get
So to the parents of America
I am the derringer aimed at little Erica

To attack her character
The ring leader of the circus of worthless pawns
Sent to lead the march right up to the steps of Congress

And piss on the lawns of the White House
To burn the casket and replace it with a parental advisory sticker
To spit liquor in the faces of this democracy of hypocrisy
Fuck you Ms. Cheney
Fuck you tipper Gore

Fuck you with the free-ness of speech this
Divided states of embarrassment will allow me to have
Fuck you!
Ha ha ha! I'm just playin' America, you know I love you
To end this post Re:LODE Radio chooses to reference two instances of the Bernstein/Sondheim song "America" and The End by The Doors (of perception) featuring in the film Apocalypse Now. 
First, the NICE version of America . . .
. . . it was one of the most shocking events of the late 60s that persuaded the Nice to record the song "America" in its own right. The band – completed by guitarist Davy O’List and drummer Brian Davison – were driving back from a gig on the Isle of Wight in June 1968 when they heard the news that US Senator Robert Kennedy, the brother of murdered President John F. Kennedy, had been shot and killed while campaigning for the Democratic presidential nomination.

“That got me thinking,” recalls Keith Emerson. “JFK had been shot, then Martin Luther King. It seemed to me that America was ruled by the gun. It’s even in their constitution: the right to bear arms.”

It was the era of the protest song. Against a backdrop of civil rights struggles, student unrest and the war in Vietnam, the likes of Bob Dylan and Phil Ochs were channelling the mood of the times in their lyrics. But, in a novel approach, The Nice decided to turn America into what Emerson calls “the first protest instrumental”.


Released as a single on June 21, 1968 America began picking up radio airplay thanks to a few DJs who grasped what the band were trying to do, though at six-and-a-half minutes it was too long for Top Of The Pops. “They wanted us to lose about 90 seconds,” Jackson says. “We refused.” But it was a controversial incident at the Royal Albert Hall that propelled the song into the UK Top 30 – and to notoriety. The Nice had been booked to play an anti-apartheid concert at the prestigious London venue on July 7, part of a bizarre line-up that included Sammy Davis Jr, British jazz stars Johnny Dankworth and Cleo Laine, and the cast of TV comedy series Till Death Us Do Part.

Also in attendance was the US Ambassador to Britain, David K.E. Bruce, adding political gravitas to the occasion. The band decided to ramp up the drama by draping an American flag behind them during their set, which climaxed with America. “My plan was to set it on fire at the end of the set,” says Emerson, but I couldn’t get the matches to light. So Warren Mitchell, who played Alf Garnett in Till Death Us Do Part, lent me his lighter, and up it went. Everyone went silent. We’d been going down well until that happened.”

The band were quickly ushered off stage. Driving home, they found out via Radio Luxembourg that they’d been banned for life from the Albert Hall.
Inspired by Satan . . .
VICE
Vice is a 2018 American biographical satirical comedy-drama film written and directed by Adam McKay. The film stars Christian Bale as former U.S. Vice President Dick Cheney. The film follows Cheney on his path to become the most powerful Vice President in American history. Dick Cheney's daughter and Congresswoman Liz Cheney criticized Christian Bale for his portrayal of her father in Vice, remarking during a Fox & Friends interview that "he finally had the chance to play a real superhero, and he clearly screwed it up".


Liz also responded negatively to Bale's controversial acceptance speech for winning the Best Actor in a Comedy or Musical Golden Globe for his portrayal of Cheney, in which the actor thanked Satan for inspiring him to play the role of Cheney.
Exceptional: Why the World Needs a Powerful America is a 2015 book on American foreign policy co-authored by Dick Cheney and his daughter, Liz Cheney, a former official of the United States Department of State. The book offers a vehement criticism of President Barack Obama's foreign policy, and an unwavering defense of the virtue of American exceptionalism.

The book traces the history of U.S. foreign policy and military successes and failures from Franklin D. Roosevelt's administration through the Obama administration. The authors tell the story of what they describe as the unique role the United States has played as a defender of freedom throughout the world since World War II. Drawing upon the notion of American exceptionalism, the co-authors criticize Barack Obama's and former Secretary of State Hillary Clinton's foreign policies, and offer what they see as the solutions needed to restore American greatness and power on the world stage in defence of freedom.

In their prologue, the authors state their purpose in the book: "We must ensure our children know the truth about who we are, what we've done, and why it is uniquely America's duty to be freedom's defender... They should learn about great men like George C. Marshall and Dwight Eisenhower and Harry Truman and Ronald Reagan." They contend that, "it is the brave men and women of the United States armed forces who defend our freedom and secure it for millions of others as well", and that America is "the most powerful, good, and honorable nation in the history of mankind, the exceptional nation."

After setting out and arguing the case for American Exceptionalism in the book, the Cheneys state: "we are, as Lincoln said, 'the last, best hope of earth'." They argue that America is not just "one more indistinguishable entity on the world stage", but that the United States has, "been essential to the preservation and progress of freedom, and those who lead us in the years ahead must remind us, as Roosevelt, Kennedy, and Reagan did, of the special role we play". The authors conclude: "we are, in fact, exceptional."
The end credits of the film VICE show a sequence of specially crafted, symbolic and highly artistic, fly fishing lures and hooks. The credits are then followed by a much discussed mid-credits scene that has a focus group descending into chaos when a conservative panelist slams the film itself as biased and attacks a liberal panelist who defends the movie and insults him, while another younger panelist expresses her anticipation for the next Fast & Furious movie.


Scott Lucas, Professor of International Politics, University of Birmingham writes for The Conversation (Feb 13 2019) on the film from a politics perspective.

Early in Adam McKay’s Vice, a famous but unattributed quote appears on the screen: “Beware the quiet man. For while others speak, he watches. And while others act, he plans. And when they finally rest … he strikes”.
And already we understand the problem with trying to make a film about a man like Dick Cheney. He will elude you at every turn.

Cheney was far from quiet before he became George W. Bush’s vice president in 2001. Perhaps he hadn’t been prominent when he became the youngest White House chief of staff in history under Gerald Ford in 1975. Maybe his political manoeuvring as congressman from Wyoming didn’t make headlines. But as secretary of defense for George H.W. Bush, and then as CEO of Halliburton, the multinational oil services company, he certainly made himself heard.
A quiet American . . .

This type of quiet American can, on occasion, give a noisy lecture. In his novel The Quiet American (1955) English author Graham Greene tells a story, narrated in the first person by a journalist, Thomas Fowler, against the background of the breakdown of French colonialism in Vietnam and the early American involvement in the Vietnamese struggle to escape European colonialism.

The novel implicitly questions the foundations of growing American involvement in Vietnam in the 1950s and is unique in its exploration of the subject topic through the links among its three main characters, Fowler, the quiet American Pyle, a CIA agent working under cover, and Phuong, a beautiful young Vietnamese woman whose character is never fully developed or revealed.


The novel has received much attention due to its prediction of the outcome of the Vietnam War and subsequent American foreign policy since the 1950s. Greene portrays Pyle as so blinded by American exceptionalism that he cannot see the calamities he brings upon the Vietnamese. The book uses Greene's experiences as a war correspondent for The Times and Le Figaro in French Indochina 1951–1954. 

He was apparently inspired to write The Quiet American during October 1951 while driving back to Saigon from Ben Tre province. He was accompanied by an American aid worker who lectured him about finding a "third force in Vietnam".
The Doors and The End . . .
The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, mostly because of Morrison's lyrics and voice along with his erratic stage persona, and the group was widely regarded as an important part of the era's counterculture.

The band took its name from the title of Aldous Huxley's book The Doors of Perception, itself a reference to a quote by William Blake
If the doors of perception were cleansed . . .

When it comes to apocalyptic prophecy Re:LODE Radio does NOT consider that William Blake was predicting the current global heating crisis (see his plate 14 below). The "Hell" that figures in his Marriage of Heaven and Hell is the world of workers, of miners working in the "hellish" conditions of the mines, of printers in the printing houses, working with corrosives and engaged in energetic work to reveal the infinite that was hid. His "Heaven" is the exceptionalist bubble of the owners of the land, those who enclosed the commons, taking the earth's riches from the mines, and justifying inequality with the worn out ideology of a capitalist class society. Blake's reversal of heaven and hell includes the fact that it is those who work, and that through their work, make the world. It is those who create society through their energies who understand the realities as they are. Those who own, control and make profit from the work and resources of others are locked in a closed system of perception. They can see nothing of the way things are and blindly ignorant of the consequences of a system of inequality that benefits the few and not the many.

This is the end . . .
"The End" is an epic song by the American rock band the Doors. Lead singer Jim Morrison initially wrote the lyrics about his break up with his girlfriend Mary Werbelow, but it evolved through months of performances at the Whisky a Go Go into a much longer song. The Doors recorded a nearly 12-minute version for their self-titled debut album, which was released on January 4, 1967.

"The End" was recorded live in the studio with no overdubbing. Two takes were recorded, with reportedly the second being used for the album. It was the last song the original group performed at their last concert on December 12, 1970, at The Warehouse in New Orleans. 


The version used in Francis Ford Coppola's film Apocalypse Now is different from the 1967 release, being a remix specifically made for the movie. The remixed version emphasizes the vocal track at the final crescendo, highlighting Morrison's liberal use of scat and expletives. The vocal track can partly be heard in the 1967 release, although the expletives are effectively buried in the mix (and the scat-singing only faintly audible), and Morrison can only be heard clearly at the end of the crescendo with his repeated line of "Kill! Kill!". This version originated with the original master copy from Elektra's tape vaults; when Walter Murch, the Sound Designer, requested copies of the song from Elektra Records for use in the film, the studio unknowingly sent him the original master tracks to use, which explains the different (some would say better) sonic quality of the song used in the film.
Apocalypse Now is the 1979 American epic war film directed, produced and co-written by Francis Ford Coppola. The screenplay, co-written by Coppola and John Milius and narration written by Michael Herr, was loosely based on the 1899 novella Heart of Darkness by Joseph Conrad. The setting was changed from late 19th-century Congo to the Vietnam War. The film follows a river journey from South Vietnam into Cambodia undertaken by Captain Benjamin L. Willard (a character based on Conrad's Marlow), who is on a secret mission to assassinate Colonel Kurtz (played by Marlon Brando, with the character being based on Conrad's Mr. Kurtz), a renegade Army Special Forces officer accused of murder and who is presumed insane.
"The End", and the beginning of Apocalypse Now . . .  






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